Most good thinking has its origin in fear.
ALAIN DE BOTTONAs an atheist, I think there are lots of things religions get up to which are of value to non-believers – and one of those things is trying to be a bit better than we normally manage to be.
More Alain de Botton Quotes
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We need a home in the psychological sense as much as we need one in the physical: to compensate for a vulnerability.
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The telephone becomes an instrument of torture in the demonic hands of a beloved who doesn’t call.
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People who readily accept the need for a gym will resist that their personalities might need some work too.
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If our lives are dominated by a search for happiness, then perhaps few activities reveal as much about the dynamics of this quest – in all its ardour and paradoxes – than our travels.
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You have to be quite heavily invested in someone to do them the honour of telling them you’re annoyed with them.
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One of our major flaws, and causes of unhappiness, is that we find it hard to take note of appreciate and be grateful for what is always around us. We suffer because we lose sight of the value of what is before us and yearn, often unfairly, for the imagined attraction elsewhere.
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Most of what makes a book ‘good’ is that we are reading it at the right moment for us.
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A notorious inability to express emotions makes human beings the only animals capable of suicide.
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We keep a special place in our hearts for people who refuse to be impressed by us.
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The problem isn’t so much finding good ideas (there is no shortage) as embedding the ones we have into everyday practice.
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Mental health: having enough safe places in your mind for your thoughts to settle.
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It looks like it’s wasting time, but literature is actually the ultimate time-saver – because it gives us access to a range of emotions and events that it would take you years, decades, millennia to try to experience directly.
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Serious journalists often imagine society is adrift because people don’t know certain things.
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It is perhaps sad books that best console us when we are sad.
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The very act of drawing an object, however badly, swiftly takes the drawer from a woolly sense of what the object looks like to a precise awareness of its component parts and particularities.
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