Bad art might be defined as a series of bad choices about what to show and what to leave out.
ALAIN DE BOTTONEvery time we feel satisfied with what we have, we can be counted as rich, however little we may actually possess.
More Alain de Botton Quotes
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If our lives are dominated by a search for happiness, then perhaps few activities reveal as much about the dynamics of this quest – in all its ardour and paradoxes – than our travels.
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Never too late to learn some embarrassingly basic, stupidly obvious things about oneself.
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The most attractive are not those who allow us to kiss them at once [we soon feel ungrateful] or those who never allow us to kiss them [we soon forget them], but those who coyly lead us between the two extremes.
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What I want to argue for is not that we should give up on our ideas of success, but that we should make sure that they are our own. We should focus in on our ideas and make sure that we own them, that we’re truly the authors of our own ambitions.
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The media insists on taking what someone didn’t mean to say as being far closer to the truth than what they did.
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One rarely falls in love without being as much attracted to what is interestingly wrong with someone as what is objectively healthy.
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Our sadness won’t be of the searing kind but more like a blend of joy and melancholy: joy at the perfection we see before us, melancholy at an awareness of how seldom we are sufficiently blessed to encounter anything of its kind.
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Maturity: knowing where you’re crazy, trying to warn others of the fact and striving to keep yourself under control.
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Out of the millions of people we live among, most of whom we habitually ignore and are ignored by in turn, there are always a few that hold hostage our capacity for happiness, whom we could recognize by their smell alone and whom we would rather die than be without.
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The inability to live in the present lies in the fear of leaving the sheltered position of anticipation or memory, and so of admitting that this is the only life that one is ever likely (heavenly intervention aside) to live.
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Travel agents would be wiser to ask us what we hope to change about our lives rather than simply where we wish to go.
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We need objects to remind us of the commitments we’ve made. That carpet from Morocco reminds us of the impulsive, freedom-loving side of ourselves we’re in danger of losing touch with. Beautiful furniture gives us something to live up to. All designed objects are propaganda for a way of life.
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There is a devilishly direct relationship between the significance of an idea and how nervous we become at the prospect of having to think about it.
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After 40 (old age for most of man’s history), one should strive to be more or less packed and ready to go were the end call to come.
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We will cease to be angry once we cease to be so hopeful.
ALAIN DE BOTTON






