The arrogance that says analysing the relationship between reasons and causes is more important than writing a philosophy of shyness or sadness or friendship drives me nuts. I can’t accept that.
ALAIN DE BOTTONThere’s a whole category of people who miss out by not allowing themselves to be weird enough.
More Alain de Botton Quotes
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Unhappiness can stem from having only one perspective to play with.
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One of the better guarantors of ending up in a good relationship: an advanced capacity to be alone.
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It is striking how much more seriously we are likely to be taken after we have been dead a few centuries.
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It is in dialogue with pain that many beautiful things acquire their value. Acquaintance with grief turns out to be one of the more unusual prerequisites of architectural appreciation. We might, quite aside from all other requirements, need to be a little sad before buildings can properly touch us.
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The moment we cry in a film is not when things are sad but when they turn out to be more beautiful than we expected them to be.
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In the works of Lucretius, we find two reasons why we shouldn’t worry about death. If you have had a successful life, Lucretius tell us, there’s no reason to mind its end. And, if you haven’t had a good time, “Why do you seek to add more years, which would also pass but ill?”
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Newspapers are being read all around. The point is not, of course, to glean new information, but rather to coax the mind out of its sleep-induced introspective temper.
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Our jobs make relentless calls on a narrow band of our faculties, reducing our chances of achieving rounded personalities and leaving us to suspect (often in the gathering darkness of a Sunday evening) that much of who we are, or could be, has gone unexplored.
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Wealth is not an absolute. It is relative to desire. Every time we yearn for something we cannot afford, we grow poorer, whatever our resources. And every time we feel satisfied with what we have, we can be counted as rich, however little we may actually possess.
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Every realistic picture represents a choice as to which features of reality should be given prominence; no painting ever captures the whole.
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Arguments are like eels: however logical, they may slip from the minds weak grasp unless fixed there by imagery and style.
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We should read other people’s books in order to learn what we feel; it is our own thoughts we should be developing, even if it is another writer’s thought that help us to do so.
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A successful work will draw out the features capable of exciting a sense of beauty and interest in the spectator.
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Journeys are the midwives of thought. Few places are more conducive to internal conversations than moving planes, ships or trains.
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Bad art might be defined as a series of bad choices about what to show and what to leave out.
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