black
grey
blue
red
brown
white

Literature deeply stands opposed to the dominant value system-the one that rewards money and power. Writers are on the other side-they make us sympathetic to ideas and feelings that are of deep importance but can’t afford airtime in a commercialized, status-consciou s, and cynical world.

Alain de Botton

Envy: a confused, tangled guide to one’s own ambitions.
ALAIN DE BOTTON

Ambition Confuse Envy Tangle
The company of certain people may excite our generosity and sensitivity, while that of others awakens our competitiveness and envy.
ALAIN DE BOTTON

Awaken Certain Company Competitiveness Excite Generously People Sensitivity
Our capacity to draw happiness from aesthetic objects or material goods in fact seems critically dependent on our first satisfying a more important range of emotional or psychological needs, among them the need for understanding, for love, expression and respect.
ALAIN DE BOTTON

Aesthetic Capacity Critical Draw Good Happiness Material Object Satisfy Seem
The flawless object throws into perspective the mediocrity that surrounds it. We are reminded of the way we would wish things always to be and of how incomplete our lives remain.
ALAIN DE BOTTON

Always Flawless Mediocrity Object Perspective Thing Throw Wish
We each appear to hold within ourselves a range of divergent views as to our native qualities.. And amid such uncertainty, we typically turn to the wider world to settle the question of our significance.. we seem beholden to affections of others to endure ourselves.
ALAIN DE BOTTON

Amid Appear Divergent Each Hold Native Ourselves Quality Range Such Uncertainty View
It is in dialogue with pain that many beautiful things acquire their value. Acquaintance with grief turns out to be one of the more unusual prerequisites of architectural appreciation. We might, quite aside from all other requirements, need to be a little sad before buildings can properly touch us.
ALAIN DE BOTTON

Acquaintance Acquire Beautiful Dialogue Grief Pain Thing Turn More Value
The attentions of others matter to us because we are afflicted by a congenital uncertainty as to our own value, as a result of which affliction we tend to allow others’ appraisals to play a determining role in how we see ourselves. Our sense of identity is held captive by the judgements of those we live among.
ALAIN DE BOTTON

Affiche Appraisal Attention Congenital Determine Matter People Uncertainty
One’s doing well if age improves even slightly one’s capacity to hold on to that vital truism: “This too shall pass.
ALAIN DE BOTTON

Age Capacity Do Hold Improve One Pass Shall Slightly
Our jobs make relentless calls on a narrow band of our faculties, reducing our chances of achieving rounded personalities and leaving us to suspect (often in the gathering darkness of a Sunday evening) that much of who we are, or could be, has gone unexplored.
ALAIN DE BOTTON

Achieve Band Faculty Job Make Narrow Personality Reduce Change Relentless Round
The dream of the news is that it makes us care about other people and situations. But we cannot identify with people to whom we haven’t been introduced. Humans will only respond to art, to people who are skilled in making you care.
ALAIN DE BOTTON

Art Care Dream False Idea Identify Make News People
Architects themselves tend to shy away from the word, preferring instead to talk about the manipulation of space.
ALAIN DE BOTTON

Architect Manipulation Prefer Shy Space Themselves Word
Maturity: knowing where you’re crazy, trying to warn others of the fact and striving to keep yourself under control.
ALAIN DE BOTTON

Control Crazy Know Maturity Try Under
It is perhaps sad books that best console us when we are sad.
ALAIN DE BOTTON

Book Console Perhaps Sad
A danger of travel is that we see things at the wrong time, before we have had a chance to build up the necessary receptivity and when new information is therefore as useless and fugitive as necklace beads without a connecting chain.
ALAIN DE BOTTON

Build Chain Change Connect Danger Information Necessary Receptivity See Thing Travel
Everyone wants a better life: very few of us want to be better people.
ALAIN DE BOTTON

Better Everyone Few Life People Want
As adults, we try to develop the character traits that would have rescued our parents.
ALAIN DE BOTTON

Adult Character Develop Parent Rescue Trait
to design means forcing ourselves to unlearn what we believe we already know, patiently to take apart the mechanisms behind our reflexes and to acknowledge the mystery and stupefying complexity of everyday gestures like switching off a light of turning on a tap
ALAIN DE BOTTON

Already Behaviour Design Force Mechanism Ourselves Patiently Unlearn
Journeys are the midwives of thought. Few places are more conducive to internal conversations than moving planes, ships or trains.
ALAIN DE BOTTON

Conducive Conversation Few Internal Journey Mindwive Move Place Plane Ship Train
There is always the option of being emotionally lazy, that is, of quoting.
ALAIN DE BOTTON

Always Emotion Lazy Option Quote
Rage is caused by a conviction, almost comic in its optimistic origins (however tragic in its effects), that a given frustration has not been written into the contract of life.
ALAIN DE BOTTON

Almost Cause Comic Conviction Frustration Optimistic Origin Rage
The blunt large questions become connected to smaller, apparently esoteric ones.
ALAIN DE BOTTON

Apparently Blunt Connect Esoteric Larger One Question Smaller
How do the stems connect to the roots?’ ‘Where is the mist coming from?’ ‘Why does one tree seem darker than another?’ These questions are implicitly asked and answered in the process of sketching.
ALAIN DE BOTTON

Another Coming Connect Darker Mist Process Root Sketch Stem Tree
What is fascinating about marriage is why anyone wants to get married.
ALAIN DE BOTTON

Anyone Fascinate Marriage Married
There is a devilishly direct relationship between the significance of an idea and how nervous we become at the prospect of having to think about it.
ALAIN DE BOTTON

Devilishly Direct Idea Nervous Prospect Relationship Significance Think
Bad art might be defined as a series of bad choices about what to show and what to leave out.
ALAIN DE BOTTON

Bad Choice Define Leave might Out Series Show
Unhappiness can stem from having only one perspective to play with.
ALAIN DE BOTTON

Have Perspective Play Stem Unhappiness
The only people we can think of as normal are those we don’t yet know very well.
ALAIN DE BOTTON

Normal Very Only People Think Well

Literature deeply stands opposed to the dominant value system-the one that rewards money and power. Writers are on the other side-they make us sympathetic to ideas and feelings that are of deep importance but can’t afford airtime in a commercialized, status-consciou s, and cynical world.

Related Topics

Popular Authors

Literature deeply stands opposed to the dominant value system-the one that rewards money and power. Writers are on the other side-they make us sympathetic to ideas and feelings that are of deep importance but can’t afford airtime in a commercialized, status-consciou s, and cynical world.

Related Topics

Popular Authors

More Alain de Botton Quotes