Dreams reveal we never quite get ‘over’ anything: it’s all still in there somewhere.
ALAIN DE BOTTONMemory is… similar to anticipation: an instrument of simplification and selection.
More Alain de Botton Quotes
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There’s a whole category of people who miss out by not allowing themselves to be weird enough.
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Taking photographs can assuage the itch for possession sparked by the beauty of a place; our anxiety over losing a precious scene can decline with every click of the shutter.
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Bitterness: anger that forgot where it came from.
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There may be significant things to learn about people by looking at what annoys them most.
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Social media has lots of benefits, but compared to Christianity, it tends to group people by interests. Religion puts you with people who have nothing in common except that you’re human.
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The inability to live in the present lies in the fear of leaving the sheltered position of anticipation or memory, and so of admitting that this is the only life that one is ever likely (heavenly intervention aside) to live.
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Our homes do not have to offer us permanent occupancy or store our clothes to merit the name. To speak of home in relation to a building is simply to recognise its harmony with our own prized internal song. Home can be an airport or a library, a garden or a motorway diner.
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The challenge of modern relationships: how to prove more interesting than the other’s smartphone.
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In the oasis complex, the thirsty man images he sees water, palm trees, and shade not because he has evidence for the belief, but because he has a need for it. Desperate needs bring about a hallucination of their solution: thirst hallucinates water.
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When I see someone like Richard Dawkins, I see my father. I grew up with that. I’m basically the child of Richard Dawkins.
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Because it’s bad enough not getting what you want, but it’s even worse to have an idea of what it is you want and find out at the end of the journey that it isn’t, in fact, what you wanted all along.
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Art cannot single-handedly create enthusiasm… it merely contributes to enthusiasm and guides us to be more conscious of feelings that we might previously have experienced only tentatively or hurriedly.
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People only get really interesting when they start to rattle the bars of their cages.
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Our sadness won’t be of the searing kind but more like a blend of joy and melancholy: joy at the perfection we see before us, melancholy at an awareness of how seldom we are sufficiently blessed to encounter anything of its kind.
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It is perhaps when our lives are at their most problematic that we are likely to be most receptive to beautiful things.
ALAIN DE BOTTON