Getting to the top has an unfortunate tendency to persuade people that the system is OK after all.
ALAIN DE BOTTONMemory is… similar to anticipation: an instrument of simplification and selection.
More Alain de Botton Quotes
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We read the weird tales in newspapers to crowd out the even weirder stuff inside us.
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Everyone wants a better life: very few of us want to be better people.
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Once I began to consider everything as being of potential interest, objects released latent layers of value.
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Travel agents would be wiser to ask us what we hope to change about our lives rather than simply where we wish to go.
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To be shown love is to feel ourselves the object of concern: our presence is noted, our name is registered, our views are listened to, our failings are treated with indulgence and our needs are ministered to. And under such care, we flourish.
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There’s a whole category of people who miss out by not allowing themselves to be weird enough.
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As victims of hurt, we frequently don’t bring up what ails us, because so many wounds look absurd in the light of day.
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Do you love me enough that I may be weak with you? Everyone loves strength, but do you love me for my weakness? That is the real test.
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We need objects to remind us of the commitments we’ve made. That carpet from Morocco reminds us of the impulsive, freedom-loving side of ourselves we’re in danger of losing touch with. Beautiful furniture gives us something to live up to. All designed objects are propaganda for a way of life.
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I feel that the great challenge of our time is the communication of ideas.
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What should worry us is not the number of people that oppose us, but how good their reasons are for doing so.
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Dreams reveal we never quite get ‘over’ anything: it’s all still in there somewhere.
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We often lose our tempers not with those who are actually to blame; just with those who love us enough to forgive us our foul moods.
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At the heart of every frustration lies a basic structure: the collision of a wish with an unyielding reality.
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Every realistic picture represents a choice as to which features of reality should be given prominence; no painting ever captures the whole.
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