Out of the millions of people we live among, most of whom we habitually ignore and are ignored by in turn, there are always a few that hold hostage our capacity for happiness, whom we could recognize by their smell alone and whom we would rather die than be without.
ALAIN DE BOTTONI passionately believe that’s it’s not just what you say that counts, it’s also how you say it – that the success of your argument critically depends on your manner of presenting it.
More Alain de Botton Quotes
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Don’t despair: despair suggests you are in total control and know what is coming. You don’t – surrender to events with hope.
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Our capacity to draw happiness from aesthetic objects or material goods in fact seems critically dependent on our first satisfying a more important range of emotional or psychological needs, among them the need for understanding, for love, expression and respect.
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Our greatest furies spring from events which violate our sense of the ground of our existence.
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Our sadness won’t be of the searing kind but more like a blend of joy and melancholy: joy at the perfection we see before us, melancholy at an awareness of how seldom we are sufficiently blessed to encounter anything of its kind.
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One’s doing well if age improves even slightly one’s capacity to hold on to that vital truism: “This too shall pass.
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Do you love me enough that I may be weak with you? Everyone loves strength, but do you love me for my weakness? That is the real test.
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I feel that the great challenge of our time is the communication of ideas.
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We are like an exquisite high-speed aircraft which for lack of a tiny part is left stranded beside the runway, rendered slower than a tractor or bicycle.
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Mental health: having enough safe places in your mind for your thoughts to settle.
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We need a home in the psychological sense as much as we need one in the physical: to compensate for a vulnerability.
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It is not just nature that defies us. Human life is as overwhelming… If we spend time in it [the vast spaces of nature], they may help us to accept more graciously the great, unfathomable events that molest our lives and will inevitably return us to dust.
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How do the stems connect to the roots?’ ‘Where is the mist coming from?’ ‘Why does one tree seem darker than another?’ These questions are implicitly asked and answered in the process of sketching.
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Politics is so difficult, it’s generally only people who aren’t quite up to the task who feel convinced they are.
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The activities of drawing, eating and drinking, all involve assimilations by the self of desirable elements from the world, a transfer of goodness from without to within.
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At the heart of every frustration lies a basic structure: the collision of a wish with an unyielding reality.
ALAIN DE BOTTON