It wasn’t only fanatics and drunkards who began conversations with strangers in public.
ALAIN DE BOTTONLiterature is the greatest reality simulator – a machine that puts you through infinitely more situations than you can ever directly witness.
More Alain de Botton Quotes
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The inability to live in the present lies in the fear of leaving the sheltered position of anticipation or memory, and so of admitting that this is the only life that one is ever likely (heavenly intervention aside) to live.
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It is striking how much more seriously we are likely to be taken after we have been dead a few centuries.
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What am I supposed to do here? What am I supposed to think?
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How do the stems connect to the roots?’ ‘Where is the mist coming from?’ ‘Why does one tree seem darker than another?’ These questions are implicitly asked and answered in the process of sketching.
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Cynics are – beneath it all – only idealists with awkwardly high standards.
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Art cannot single-handedly create enthusiasm… it merely contributes to enthusiasm and guides us to be more conscious of feelings that we might previously have experienced only tentatively or hurriedly.
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When I see someone like Richard Dawkins, I see my father. I grew up with that. I’m basically the child of Richard Dawkins.
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Feeling lost, crazy and desperate belongs to a good life as much as optimism, certainty and reason.
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Differ though we might with Christianity’s view of what precisely our souls need, it is hard to discredit the provocative underlying thesis.
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A virtuous, ordinary life, striving for wisdom but never far from folly, is achievement enough.
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If we are inclined to forget how much there is in the world besides that which we anticipate, then works of art are perhaps a little to blame, for in them we find at work the same process of simplification or selection as in the imagination.
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Literature deeply stands opposed to the dominant value system-the one that rewards money and power. Writers are on the other side-they make us sympathetic to ideas and feelings that are of deep importance but can’t afford airtime in a commercialized, status-consciou s, and cynical world.
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I am in general a very pessimistic person with an optimistic, day to day take on things. The bare facts of life are utterly terrifying. And yet, one can laugh. Indeed, one has to laugh precisely because of the darkness: the nervous laughter of the trenches.
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After 40 (old age for most of man’s history), one should strive to be more or less packed and ready to go were the end call to come.
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to design means forcing ourselves to unlearn what we believe we already know, patiently to take apart the mechanisms behind our reflexes and to acknowledge the mystery and stupefying complexity of everyday gestures like switching off a light of turning on a tap
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We may seek a fortune for no greater reason than to secure the respect and attention of people who would otherwise look straight through us.
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One of our major flaws, and causes of unhappiness, is that we find it hard to take note of appreciate and be grateful for what is always around us. We suffer because we lose sight of the value of what is before us and yearn, often unfairly, for the imagined attraction elsewhere.
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The challenge of modern relationships: how to prove more interesting than the other’s smartphone.
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We are presented with an unpleasant choice between either committing to peculiar concepts about immaterial deities or letting go entirely of a host of consoling, subtle or just charming rituals for which we struggle to find equivalents in secular society.
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Forgiveness requires a sense that bad behaviour is a sign of suffering rather than malice.
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Intuition is unconscious accumulated experience informing judgement in real time.
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Everyone wants a better life: very few of us want to be better people.
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Do you love me enough that I may be weak with you? Everyone loves strength, but do you love me for my weakness? That is the real test.
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Taking photographs can assuage the itch for possession sparked by the beauty of a place; our anxiety over losing a precious scene can decline with every click of the shutter.
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Writing isn’t a career choice. It’s self-medication that over time precipitates the madness it was meant to ward off.
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Once I began to consider everything as being of potential interest, objects released latent layers of value.
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