There’s just something about that late ’80s that suddenly feels like it has something to teach us.
BRIAN K. VAUGHANSome people are haunted by their pasts, but not my family. I mean, how can you be haunted by something that never really dies?
More Brian K. Vaughan Quotes
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It was interesting looking back at the ’80s and trying to find newspaper headlines from the time – the cliché of history repeating itself.
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I write the book for one person – for Fiona [Staples, the artist]. I spend a lot of time just thinking how she’ll react to things and manipulating her into drawing perverse, horrific things. It’s a really weird job but I enjoy it.
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After ten years of toiling away in Hollywood, I realized that there’s no better place for new ideas than comics.
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If a good editor will let me tell my story with the right artist, I’m happy.
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The longer I’ve been writing scripts, the more I find that you have to give the artist more leeway or else you’ll just be disappointed. You can’t force them to draw every image that’s in your head.
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Every issue, the characters and I duke it out. They usually win.
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I remember seeing Stand by Me, when I was around 12, and just feeling like, “This is so refreshing to see kids swear and smoke cigarettes like my friends.” It just felt much more real than the Sesame Street version of childhood that I’d been spoon-fed.
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Not a word of my writing has ever been changed by another person’s hands, and I don’t think many screenwriters can say that.
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We’ve all seen lots of stories about a young protagonist having adventures, and usually they’re all boys, [and] there is sometimes a token female, or two.
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Victor: You guys have some kind of rallying cry? You know, “Avengers assemble?” “It’s clobberin’ time?” “Hulk smash?” Nico: “Try not to die.
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Next up, I’m going to grow a big, disgusting beard, just so people will start talking about Alan Moore and me in the same breath.
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I’m still digesting the ’90s. It takes some time to get perspective.
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My mom once told me that a good relationship isn’t where the other person makes you feel better, but where they make *you* better.
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I mean, do you know what you get when you call a suicide hotline in New York city? A busy signal. Literally.
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I’m the one who started spreading that particular factoid, about Bendis, Azz and me all being bald Brian’s from Cleveland, just to get my name mentioned in the same sentence as two much-better writers, and it’s worked like a goddamn charm.
BRIAN K. VAUGHAN






