The problem as you get older, is that you become more self-aware. At the same time, you have to surprise yourself. There’s no way of arranging the surprise, so it is tricky.
SEAMUS HEANEYAs a young poet, you need corroboration, and that’s what publication does.
More Seamus Heaney Quotes
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I always had a superstitious fear of setting up a too well-designed writing place and then finding that the writing had absconded.
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My father and mother had no sense of entitlement for their children.
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The completely solitary self: that’s where poetry comes from, and it gets isolated by crisis, and those crises are often very intimate also.
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I’ve said it before about the Nobel Prize: it’s like being struck by a more or less benign avalanche. It was unexpected, unlooked for, and extraordinary.
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The experiment of poetry, as far as I am concerned, happens when the poem carries you beyond where you could have reasonably expected to go.
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The gift of writing is to be self-forgetful, to get a surge of inner life or inner supply or unexpected sense of empowerment, to be afloat, to be out of yourself.
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The experimental poetry thing is not my thing. It’s a programme of the avant-garde: basically a refusal of the kind of poetry I write.
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A person from Northern Ireland is naturally cautious.
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We go to poetry, we go to literature in general, to be forwarded within ourselves.
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Every time you read a poem aloud to yourself in the presence of others, you are reading it into yourself and them. Voice helps to carry words farther and deeper than the eye.
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Poems that come swiftly are usually the ones that you keep.
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Manifesting that order of poetry where we can at last grow up to that which we stored up as we grew.
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The group of writers I had grown up with in the ’60s – Derek Mahon, Michael Longley, James Simmons, John Hewitt, Paul Muldoon – formed a very necessary and self-sustaining group.
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I believe we are put here to improve civilisation.
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At home in Ireland, there’s a habit of avoidance, an ironical attitude towards the authority figure.
SEAMUS HEANEY