Bad art might be defined as a series of bad choices about what to show and what to leave out.
ALAIN DE BOTTONAs an atheist, I think there are lots of things religions get up to which are of value to non-believers – and one of those things is trying to be a bit better than we normally manage to be.
More Alain de Botton Quotes
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Out of the millions of people we live among, most of whom we habitually ignore and are ignored by in turn, there are always a few that hold hostage our capacity for happiness, whom we could recognize by their smell alone and whom we would rather die than be without.
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Most of us still caged within careers chosen for us by our not entirely worldly 18-22 year old selves.
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It’s perhaps easier now than ever before to make a good living; it’s perhaps harder than ever before to stay calm, to be free of career anxiety.
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I went to church and couldn’t swallow it. The music was nice but I don’t belong there.
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Our homes do not have to offer us permanent occupancy or store our clothes to merit the name. To speak of home in relation to a building is simply to recognise its harmony with our own prized internal song. Home can be an airport or a library, a garden or a motorway diner.
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The good parent: someone who doesn’t mind, for a time, being hated by their children.
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An argument in a couple: 2 people attempting to introduce each other to important truths – by panicked shouting.
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The arrogance that says analysing the relationship between reasons and causes is more important than writing a philosophy of shyness or sadness or friendship drives me nuts. I can’t accept that.
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Man seems merely dust postponed: the sublime as an encounter – pleasurable, intoxicating, even – with human weakness in the face of strength, age and size of the universe.
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Reputation matters so much only because people so seldom think for themselves.
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In the gap between who we wish one day to be and who we are at present, must come pain, anxiety, envy and humiliation.
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Serious journalists often imagine society is adrift because people don’t know certain things.
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If we are inclined to forget how much there is in the world besides that which we anticipate, then works of art are perhaps a little to blame, for in them we find at work the same process of simplification or selection as in the imagination.
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All tours are filled with humiliation. My publisher once hired a private jet to fly me to a venue where 1,000 people were waiting. It almost bankrupted him.
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One of our major flaws, and causes of unhappiness, is that we find it hard to take note of appreciate and be grateful for what is always around us. We suffer because we lose sight of the value of what is before us and yearn, often unfairly, for the imagined attraction elsewhere.
ALAIN DE BOTTON