The kinds of truth that art gives us many, many times are small truths. They don’t have the resonance of an encyclical from the Pope stating an eternal truth, but they partake of the quality of eternity. There is a sort of timeless delight in them.
SEAMUS HEANEYI credit poetry for making this space-walk possible.
More Seamus Heaney Quotes
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I came from a farming background, and my career was teaching.
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I think of the bog as a feminine goddess-ridden ground, rather like the territory of Ireland itself.
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The problem as you get older, is that you become more self-aware. At the same time, you have to surprise yourself. There’s no way of arranging the surprise, so it is tricky.
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My father and mother had no sense of entitlement for their children.
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The completely solitary self: that’s where poetry comes from, and it gets isolated by crisis, and those crises are often very intimate also.
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Eternal life can mean utter reverence for life itself.
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There’s never going to be a united Ireland, you know.
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The experiment of poetry, as far as I am concerned, happens when the poem carries you beyond where you could have reasonably expected to go.
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Without needing to be theoretically instructed, consciousness quickly realizes that it is the site of variously contending discourses.
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My language and my sensibility are yearning to admit a kind of religious or transcendent dimension. But then there’s the reality: there’s no Heaven, no afterlife of the sort we were promised, and no personal God.
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Then as the years went on and my listening became more deliberate, I would climb up on an arm of our big sofa to get my ear closer to the wireless speaker.
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But that citizen’s perception was also at one with the truth in recognizing that the very brutality of the means by which the IRA were pursuing change was destructive of the trust upon which new possibilities would have to be based.
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The faking of feelings is a sin against the imagination.
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Even if the last move did not succeed, the inner command says move again.
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Dylan Thomas is now as much a case history as a chapter in the history of poetry.
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