History says, ‘Don’t hope on this side of the grave.’
SEAMUS HEANEYI’ve always associated the moment of writing with a moment of lift, of joy, of unexpected reward.
More Seamus Heaney Quotes
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I think childhood is, generally speaking, a preparation for disappointment.
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You can have Irish identity in the north and also have your Irish passport.
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In the United States, in poetry workshops, it’s now quite a thing to make graduate students learn poems by heart.
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There is risk and truth to yourselves and the world before you.
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The completely solitary self: that’s where poetry comes from, and it gets isolated by crisis, and those crises are often very intimate also.
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Anyone born and bred in Northern Ireland can’t be too optimistic.
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The experimental poetry thing is not my thing. It’s a programme of the avant-garde: basically a refusal of the kind of poetry I write.
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As writers and readers, as sinners and citizens, our realism and our aesthetic sense make us wary of crediting the positive note.
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Nowadays, what an award gives is a sense of solidarity with the poetry guild, as it were: sustenance coming from the assent of your peers on the judging panel.
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There’s never going to be a united Ireland, you know.
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Poetry is a domestic art, most itself when most at home.
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Memory has always been fundamental for me. In fact, remembering what I had forgotten is the way most of the poems get started.
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Even if the last move did not succeed, the inner command says move again.
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I’ve said it before about the Nobel Prize: it’s like being struck by a more or less benign avalanche. It was unexpected, unlooked for, and extraordinary.
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I have begun to think of life as a series of ripples widening out from an original center.
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