In my early teens, I acquired a kind of representative status: went on behalf of the family to wakes and funerals and so on. And I would be counted on as an adult contributor when it came to farm work – the hay in the summertime, for example.
SEAMUS HEANEYMy experience is that prose usually equals duty – last minute, overdue-deadline stuff or a panic lecture to be written.
More Seamus Heaney Quotes
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Manifesting that order of poetry where we can at last grow up to that which we stored up as we grew.
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When I first encountered the name of the city of Stockholm, I little thought that I would ever visit it, never mind end up being welcomed to it as a guest of the Swedish Academy and the Nobel Foundation.
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I’ve been in the habit of helping people.
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The amount of sensory material stored up or stored down in the brain’s and the body’s systems is inestimable. It’s like a culture at the bottom of a jar, although it doesn’t grow, I think, or help anything else to grow unless you find a way to reach it and touch it.
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Dylan Thomas is now as much a case history as a chapter in the history of poetry.
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Poetry is always slightly mysterious, and you wonder what is your relationship to it.
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I’m a firm believer in learning by heart.
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There’s never going to be a united Ireland, you know.
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Without needing to be theoretically instructed, consciousness quickly realizes that it is the site of variously contending discourses.
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I feel myself part of something. Not only being part of a community but part of an actual moment and a movement of Irish writing and art. That sense of being part of the whole thing is the deepest joy.
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I don’t do as many readings as I used to. There was a time when I was on the road a lot more, at home in Ireland, in Britain, in Canada and the States, a time when I had more stamina and appetite for it.
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In the United States, in poetry workshops, it’s now quite a thing to make graduate students learn poems by heart.
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The kind of poet who founds and reconstitutes values is somebody like Yeats or Whitman – these are public value-founders.
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Memory has always been fundamental for me. In fact, remembering what I had forgotten is the way most of the poems get started.
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The faking of feelings is a sin against the imagination.
SEAMUS HEANEY