What I’ve said before, only half in joke, is that everybody in Ireland is famous. Or, maybe better, say everybody is familiar.
SEAMUS HEANEYHistory says, ‘Don’t hope on this side of the grave.’
More Seamus Heaney Quotes
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Memory has always been fundamental for me. In fact, remembering what I had forgotten is the way most of the poems get started.
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Tom Sleigh’s poetry is hard-earned and well founded. I great admire the way it refuses to cut emotional corners and yet achieves a sense of lyric absolution.
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At home in Ireland, there’s a habit of avoidance, an ironical attitude towards the authority figure.
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You can have Irish identity in the north and also have your Irish passport.
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Nowadays, what an award gives is a sense of solidarity with the poetry guild, as it were: sustenance coming from the assent of your peers on the judging panel.
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I think childhood is, generally speaking, a preparation for disappointment.
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A public expectation, it has to be said, not of poetry as such but of political positions variously approvable by mutually disapproving groups.
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Poetry is more a threshold than a path.
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I credit poetry for making this space-walk possible.
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As writers and readers, as sinners and citizens, our realism and our aesthetic sense make us wary of crediting the positive note.
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I’ve always associated the moment of writing with a moment of lift, of joy, of unexpected reward.
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Poetry is a domestic art, most itself when most at home.
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I think of the bog as a feminine goddess-ridden ground, rather like the territory of Ireland itself.
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Since I was a schoolboy, I’ve been used to being recognized on the road by old and young, and being bantered with and, indeed, being taunted.
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Poems that come swiftly are usually the ones that you keep.
SEAMUS HEANEY