But I work harder now because I have so much more exposure. And actually the harder you work as a writer, the better you get at it. It’s like anything else. It’s a muscle you have to exercise. I write more now than ever.
You can tell on-stage when a joke’s starting to lose its pop. It doesn’t mean people don’t want to hear it anymore; it means I don’t want to do it anymore. Because I want to move on to something that has a knee-jerk reaction just like you get when you tell somebody a joke that they’ve never heard.
