I didn’t fit in anywhere when I grew up, but I was always American, so to survive,
MITSKIThings seem to take so much longer for me to do. I have to say things 10 times instead of once. I have to knock on 10 different doors instead of two. For everything.
More Mitski Quotes
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I’m not an innovator.
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I’d always been fascinated by death, which sounds so morbid. Especially being a woman trying to make music, I think there’s a sense that you’re never young enough, or your career is going to end soon.
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I understand that, because there are so many musicians, you have to make artists into brands, but I sometimes feel like I have to be some kind of non-human icon in order for people to listen to my music.
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Whenever I’ve tried to ingratiate myself to an existing community, I tend to give too much, to become whatever it is they want me to be. It’s something I do automatically – I’ve learnt to immediately adapt.
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There’s this myth that women are supposed to compete with each other or something, or we’re supposed to hate each other, and that’s totally not productive.
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I’m Japanese, and I’m also white American, and neither camp wants me in their camp.
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I have this thing about being acknowledged and accepted by institutions.
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I can’t read in a car, because I’ll get sick. It’s almost instant.
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When you love someone and care about them, you want what’s best for them, and it’s always the hardest thing to realize maybe you aren’t what’s best for them, how hard you try.
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My father was obsessed with folk music from around the world, and I think the countless artists who performed them are my biggest influences.
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I don’t think ‘bleak’ is a bad thing.
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I tend to kind of try to use what’s in my environment to the best of my ability rather than seek out things that I don’t already have.
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I feel like I’ve always wanted to live in one place and stay in one place, but I always end up choosing things that make me travel.
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I think it’s our responsibility as artists to not only fight for our art but fight for the communities that are the reason we’re able to continue making art, especially since, in Brooklyn’s case, we as artists somehow made it ‘cool’ enough for the bigger money-making industries to start taking over.
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If I have a song where I hit some really high notes, I want to try to bring in equivalently low notes somewhere in there.
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