Growing up, I never really felt like anything was my own. I moved a lot, and I never belonged anywhere.
MITSKIOn tour, people know that if they ever ask me what I want to eat, I will always say Asian food. I’m becoming a stereotype, but it’s what I want to eat. I want to eat rice.
More Mitski Quotes
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I think it’s very dangerous as an artist to be comfortable.
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If I ever found a place where I belonged, that in itself would be an identity crisis to me.
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When I record, it’s this very precious and insular thing.
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All the time. I feel like I’m not taken seriously.
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A lot of musicians talk about how they were into music from the start; they always wanted to be musicians. It wasn’t like that for me. I didn’t think of it as a job or a career – it was just something that was constant.
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What I have a problem with is when it becomes another form of tokenization, of shrinking me into a symbol instead of a multilayered, female Asian artist.
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Music was the one thing that was just mine, and no one could take it from me. I created it, dictated it, and it made me not able to let go of it.
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I hate that my opinions are gonna be on record… that my opinions of other artists are going to be on record.
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I think my real influences are out of my control, which are the things that entered my brain when I was a kid growing up.
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Oftentimes, the most important decisions I make are the ones I don’t put much thought into.
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Being an outsider at all times is both unhealthy and useful, because you become much more objective about things.
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I don’t care about making anything new. I make music to express an emotion, and if the emotion is nostalgic, so be it.
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I have a very conveniently photographic memory of emotions – it’s overwhelming, because things don’t fade for me.
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With solo shows, you have complete control over the set list. If you feel like you want to do something different or do a new song, you can just work it in. You can talk to the audience or not talk to the audience. There’s nothing that’s set.
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I think it’s our responsibility as artists to not only fight for our art but fight for the communities that are the reason we’re able to continue making art, especially since, in Brooklyn’s case, we as artists somehow made it ‘cool’ enough for the bigger money-making industries to start taking over.
MITSKI