Things seem to take so much longer for me to do. I have to say things 10 times instead of once. I have to knock on 10 different doors instead of two. For everything.
MITSKII didn’t fit in anywhere when I grew up, but I was always American, so to survive,
More Mitski Quotes
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I don’t think I’m alone in this: I’m obsessed with trying to not only be happy but maintain happiness, but my definition of happiness is skewed more towards ecstasy rather than contentment.
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People started calling me that, and I started being treated in a specific way.
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When I go onstage and am performing the way I want to… I finally feel like myself.
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When you’re young is the one time when you get to indulge in being morose and take yourself most seriously.
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I’m punk, but I love gold.
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A lot of musicians talk about how they were into music from the start; they always wanted to be musicians. It wasn’t like that for me. I didn’t think of it as a job or a career – it was just something that was constant.
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The whole ‘grunge-girl’ comparisons certainly are the easiest to pick out, and I appreciate that music journalists are rushed.
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I think it’s very dangerous as an artist to be comfortable.
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Growing up, I never really felt like anything was my own. I moved a lot, and I never belonged anywhere.
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I don’t care about making anything new. I make music to express an emotion, and if the emotion is nostalgic, so be it.
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Often I’ve had problems automatically bending to a lover’s will, becoming what I know they want me to be. Immediately, I learn all the music they love, listen to it, study it, instead of being like, ‘This is what I love!’
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Whenever I’ve tried to ingratiate myself to an existing community, I tend to give too much, to become whatever it is they want me to be. It’s something I do automatically – I’ve learnt to immediately adapt.
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I’m Japanese, and I’m also white American, and neither camp wants me in their camp.
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On one hand, I think it’s very important to talk about race and talk about gender, because if it’s not talked about, then we won’t progress.
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Then you start to realise, ‘Oh, I’m bending a lot,’ and they’re just standing there existing, and I’m bending around them. But you can’t blame them: they don’t realise it; that’s just how they already existed. It’s hard.
MITSKI