I’m still digesting the ’90s. It takes some time to get perspective.
BRIAN K. VAUGHANI think there is a possible future where maybe we do just take a hard turn away from the Internet and we do start valuing our privacy again.
More Brian K. Vaughan Quotes
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That was the appealing thing about comics: There literally is no budget in comics. You’re only limited by your imagination.
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Victor: You guys have some kind of rallying cry? You know, “Avengers assemble?” “It’s clobberin’ time?” “Hulk smash?” Nico: “Try not to die.
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It was interesting looking back at the ’80s and trying to find newspaper headlines from the time – the cliché of history repeating itself.
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I’m not afraid of the world. I’m afraid of a world without you.
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Doesn’t matter if it’s personal or professional, a good partnership takes work.
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We’ve all seen lots of stories about a young protagonist having adventures, and usually they’re all boys, [and] there is sometimes a token female, or two.
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To try and imagine that I’m another person is always going to be hard – whether I’m writing about a truck driver or someone who is gay, who’s trans, who is of a different ethnicity or creed. But it would be boring if I always had to write about myself and my limited viewpoint.
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No. No, first comes boyhood. You get to play with soldiers and spacemen, cowboys and ninjas, pirates and robots. But before you know it, all that comes to an end. And then, Remo Williams, is when the adventure begins.
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I love that the book [Paper Girls ] gets to kind of evolve and change in each era. Our third storyline is our best so far.
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Some people are haunted by their pasts, but not my family. I mean, how can you be haunted by something that never really dies?
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I don’t start a story until I know where it’s going to end.
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If a good editor will let me tell my story with the right artist, I’m happy.
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I remember seeing Stand by Me, when I was around 12, and just feeling like, “This is so refreshing to see kids swear and smoke cigarettes like my friends.” It just felt much more real than the Sesame Street version of childhood that I’d been spoon-fed.
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These are the young women [in Stand by Me] that we grew up knowing and hopefully they feel a little rough around the edges, because it’s true to life.
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After 9/11, I knew I wanted to write about power and identity and the way Americans on all sides of the political spectrum often mythologize our leaders, which are themes that the superhero genre has always handled really well.
BRIAN K. VAUGHAN