It’s easy to forget that your best work is done when your attention is fully engaged.
BRIAN ENOI wanted quite the opposite of that. I wanted them to accent their styles, so that they pulled away.
More Brian Eno Quotes
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The seven white notes on the piano – each section of the piece (there are 12 sections) is five of those seven white notes.
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You know that in order to copyright material somebody has to write it down for you. Any piece of recorded material has to be scored in order for it to be copyrighted.
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I hate the thought that someone had picked up one of my song records and was really excited about it, and walks [out of] a record shop with On Land and is disappointed because it isn’t what they wanted.
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One of the things you’re doing when you make art, apart from entertaining yourself and other people, is trying to see what ways of working feel good, what feels right.
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You either believe that people respond to authority, or that they respond to kindness and inclusion. I’m obviously in the latter camp. I think that people respond better to reward than punishment.
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I believe it builds character and, more than anything else, encourages a taste for co-operation with others. This seems to be about the most important thing a school could do for you.
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Emotion creates reality, reality demands action.
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Every collaboration helps you grow.
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I still do mostly listen to CDs. I think that every format really is a different way of listening. If you take a different sort of psychological stance to it – like, I think the transition from vinyl to CD definitely marked a difference in the way people treated music.
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The reason I don’t tour is that I don’t know how to front a band. What would I do? I can’t really play anything well enough to deal with that situation.
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The basis of computer work is predicated on the idea that only the brain makes decisions and only the index finger does the work.
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I hate the rock music tradition. I can’t bear it!
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In terms of what has been happening recently, there have been, I think, some really interesting new instruments that have come out that sort of show me the direction of the future. Korg has introduced the – they’ve had a whole series now of these things called Kaoss Pads.
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I think the idea that people walk around to music is very interesting. They are actually creating the soundtrack to their lives as they walk around to it.
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The great benefit of computer sequencers is that they remove the issue of skill, and replace it with the issue of judgement
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Human development thus far has been fueled and guided by the feeling that things could be, and are probably going to be, better.
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Painting, I think it’s like jazz.
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Once I started working with generative music in the 1970s, I was flirting with ideas of making a kind of endless music – not like a record that you’d put on, which would play for a while and finish.
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I’m struck by the insidious, computer-driven tendency to take things out of the domain of muscular activity and put them into the domain of mental activity.
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I don’t want to do free jazz! Because free jazz – which is the musical equivalent of free marketeering – isn’t actually free at all. It’s just constrained by what your muscles can do.
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Something I’ve realized lately, to my shock, is that I am an optimist, in that I think humans are almost infinitely capable of self-change and self-modification, and that we really can build the future that we want if we’re smart about it.
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Law is always better than war.
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A responsible designer might try to overcome this limitation – probably the engineers at Marshall tried, too. But that sound became the sound of, among others, Jimi Hendrix. That sound is called electric guitar.
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I’ve got a feeling that music might not be the most interesting place to be in the world of things.
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I despise computers in many ways. I think they’re hopelessly underevolved and overrated.
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So, that means you can only play either very high or very low or both. And we’re going to stay there until I take my finger down.
BRIAN ENO