I don’t live in the past at all; I’m always wanting to do something new. I make a point of constantly trying to forget and get things out of my mind.
BRIAN ENOSomething I’ve realized lately, to my shock, is that I am an optimist, in that I think humans are almost infinitely capable of self-change and self-modification, and that we really can build the future that we want if we’re smart about it.
More Brian Eno Quotes
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I’m struck by the insidious, computer-driven tendency to take things out of the domain of muscular activity and put them into the domain of mental activity.
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But now you see the results of that in people who are completely crippled unless they know that they have the possibility of “cut and paste” and “undo.” And “undo” and “undo” and “undo” and “undo” and “undo” again.
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I think the other thing that’s important is getting to a place, which very, very rarely happens with improvising groups, where somebody can decide not to play for a while. You watch any group of musicians improvising together and they nearly all play nearly all the time.
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I’m not interested in possible complexities. I regard song structure as a graph paper.
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If you grow up in a very strong religion like Catholicism you certainly cultivate in yourself a certain taste for the intensity of ideas.
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People always focus on people like me who use synthesizers, right, which are explicitly electronic and therefore obvious.
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As soon as you externalize an idea you see facets of it that weren’t clear when it was just floating around in your head.
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People who are very confident in themselves aren’t hurt by criticism. They make use of it.
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The idea that something is uncool because it’s old or foreign has left the collective consciousness.
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For instance, I’m always fascinated to see whether, given the kind of fairly known and established form called popular music, whether there is some magic combination that nobody has hit upon before.
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The seven white notes on the piano – each section of the piece (there are 12 sections) is five of those seven white notes.
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One often makes music to supplement one’s world.
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What matters in modern music is not the part you can write down, the words and the tune, but the rest – the texture, the atmosphere, the references and associations.
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Look closely at the most embarrassing details, and amplify them.
BRIAN ENO -
Once you’ve grown to accept something and it becomes part of the system you’ve inherited, you don’t even notice it any longer.
BRIAN ENO