Something I’ve realized lately, to my shock, is that I am an optimist, in that I think humans are almost infinitely capable of self-change and self-modification, and that we really can build the future that we want if we’re smart about it.
BRIAN ENOYou either believe that people respond to authority, or that they respond to kindness and inclusion. I’m obviously in the latter camp. I think that people respond better to reward than punishment.
More Brian Eno Quotes
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Saying that cultural objects have value is like saying that telephones have conversations.
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I love San Francisco and Brighton has something of San Francisco about it. It’s by the sea, there’s a big gay community, a feeling of people being there because they enjoy their life there.
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I often work by avoidance.
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The basis of computer work is predicated on the idea that only the brain makes decisions and only the index finger does the work.
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Everything good proceeds from enthusiasm.
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The vinyl commands a certain kind of reverence because it’s a big object and quite fragile so you handle it rather carefully, and it’s expensive so you pay attention to how it’s looked after.
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For me it’s always contingent on getting a sound-the sound always suggests what kind of melody it should be. So it’s always sound first and then the line afterwards.
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I don’t like headphones very much, and I rarely listen to music on headphones.
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I belong to a gospel choir. They know I am an atheist but they are very tolerant.
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In England and Europe, we have this huge music called ambient – ambient techno, ambient house, ambient hip-hop, ambient this, ambient that.
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There are certain sounds that I’ve found work well in nearly any context. Their function is not so much musical as spatial: they define the edges of the territory of the music.
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Sometimes they’re of my own creation, as well – and they’re just as annoying. It’s not only other people’s ear worms that bug me, it’s my own, as well.
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Because if someone does that, you can find your own position in relation to it: what is it that I don’t agree with? In the studio I want to articulate a position clearly enough so that other people can use it – or chuck it away if they don’t want it.
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So, that means you can only play either very high or very low or both. And we’re going to stay there until I take my finger down.
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The prospect of music being detachable from time and place meant that one could start to think of music as a part of one’s furniture.
BRIAN ENO