Let’s do something else.”And you always think “Oh my God I’ve never done anything at all like that before.” But, of course, in retrospect, and to an outsider, they’ll say, “Oh, yeah that’s typical Eno.
BRIAN ENOYou know that in order to copyright material somebody has to write it down for you. Any piece of recorded material has to be scored in order for it to be copyrighted.
More Brian Eno Quotes
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I had an interesting day. I was in the studio with a group of musicians, who shall remain nameless, and I said to them “Our exercise today is not to use ‘undo’ at all. So, there’s no second takes. Or, if you do a second take, you have to do the whole take.
BRIAN ENO -
Not many people bought Velvet Underground LPs, but those who did, started a band.
BRIAN ENO -
Being completely free to choose what to do is actually quite difficult
BRIAN ENO -
One of the great breakthroughs of evolution theory is that you start with simple things and they will grow into complexity.
BRIAN ENO -
As soon as you externalize an idea you see facets of it that weren’t clear when it was just floating around in your head.
BRIAN ENO -
In my normal life I’m a very unadventurous person.
BRIAN ENO -
Lyrics are the only thing to do with music that haven’t been made easier technically.
BRIAN ENO -
People always focus on people like me who use synthesizers, right, which are explicitly electronic and therefore obvious.
BRIAN ENO -
Make an exhaustive list of everything you might do & do the last thing on the list.
BRIAN ENO -
Rationality is what we do to organize the world, to make it possible to predict. Art is the rehearsal for the inapplicability and failure of that process.
BRIAN ENO -
What matters in modern music is not the part you can write down, the words and the tune, but the rest – the texture, the atmosphere, the references and associations.
BRIAN ENO -
In the 1960s, people were trying to get away from the pop song format. Tracks were getting longer, or much, much shorter.
BRIAN ENO -
The whole history of pop music had rested on the first person singular, with occasional intrusions of the second person singular.
BRIAN ENO -
I’ve noticed a terrible thing, which is I will agree to anything if it’s far enough in the future.
BRIAN ENO -
A part of me has become immortal, out of my control.
BRIAN ENO -
The most important thing in a piece of music is to seduce people to the point where they start searching.
BRIAN ENO -
So, that means you can only play either very high or very low or both. And we’re going to stay there until I take my finger down.
BRIAN ENO -
I love the sort of ambivalence of this, the ambiguity of something – being, for instance, in a quite busy Mexican restaurant with one of these very gentle tracks playing I remember as being particularly nice.
BRIAN ENO -
One of the things you’re doing when you make art, apart from entertaining yourself and other people, is trying to see what ways of working feel good, what feels right.
BRIAN ENO -
When I was young, an eccentric uncle decided to teach me how to lie. Not, he explained, because he wanted me to lie, but because he thought I should know how it’s done so I would recognise when I was being lied to.
BRIAN ENO -
Think inside the work – outside the work
BRIAN ENO -
I do sometimes look back at things I’ve written in the past, and think, ‘I just don’t remember being the person who wrote that.’
BRIAN ENO -
At the beginning of the 20th century, the ambition of the great painters was to make paintings that were like music, which was then considered as the noblest art.
BRIAN ENO -
Ambient music is intended to induce calm and a space to think.
BRIAN ENO -
For instance, I’m always fascinated to see whether, given the kind of fairly known and established form called popular music, whether there is some magic combination that nobody has hit upon before.
BRIAN ENO -
I hate the thought that someone had picked up one of my song records and was really excited about it, and walks [out of] a record shop with On Land and is disappointed because it isn’t what they wanted.
BRIAN ENO