Not many people bought Velvet Underground LPs, but those who did, started a band.
BRIAN ENOWhen I was young, an eccentric uncle decided to teach me how to lie. Not, he explained, because he wanted me to lie, but because he thought I should know how it’s done so I would recognise when I was being lied to.
More Brian Eno Quotes
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Ambient music is intended to induce calm and a space to think.
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If I tried to make a commercial album, it would be a complete flop. I have no idea what the world at large likes.
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I can see the use and value of religion, just as I can see the use of mud wrestling, yoga, astronomy and sadomasochism. but I reject the idea that you can’t be a deep human being without it or any of them.
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For instance, I’m always fascinated to see whether, given the kind of fairly known and established form called popular music, whether there is some magic combination that nobody has hit upon before.
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Lyrics are always misleading because they make people think that that’s what the music is about.
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But now you see the results of that in people who are completely crippled unless they know that they have the possibility of “cut and paste” and “undo.” And “undo” and “undo” and “undo” and “undo” and “undo” again.
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It’s nice, I think, when people use your music for things you didn’t think of.
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Most game music is based on loops effectively.
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As struggles go, being an artist isn’t that much of one.
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There are hundreds of manufacturers always producing dvices that in general do the same things. Since they have slight structural differences if you take one and fool around with it and give it a good kick it will actually do something that it wasn’t designed to do.
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I think we’re about ready for a new feeling to enter music. I think that will come from the Arabic world.
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I had an interesting day. I was in the studio with a group of musicians, who shall remain nameless, and I said to them “Our exercise today is not to use ‘undo’ at all. So, there’s no second takes. Or, if you do a second take, you have to do the whole take.
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I got interested in the idea of music that could make itself, in a sense, in the mid 1960s really, when I first heard composers like Terry Riley, and when I first started playing with tape recorders.
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I’m fascinated by musicians who don’t completely understand their territory; that’s when you do your best work.
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If something is good, you must torture it mercilessly until it is either dead or great.
BRIAN ENO