I hate talking about music, to tell you the truth.
BRIAN ENOOne of the great breakthroughs of evolution theory is that you start with simple things and they will grow into complexity.
More Brian Eno Quotes
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One often makes music to supplement one’s world.
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The most important thing in a piece of music is to seduce people to the point where they start searching.
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I wanted to get rid of the element that had been considered essential in pop music: the voice.
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My lyrics are generated by various peculiar processes. Very random and similar to automatic writing.
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I felt extremely uncomfortable as the focal point, in the spotlight. I really like the behind the scenes role, because all my freedom is there.
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All cultures have these feelings about non-functional areas of activity. And the more time people have on their hands, the more they commit it to those areas.
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I don’t like celebrity programmes – but I do like programmes about how ideas are formed and evolve.
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When I was young, an eccentric uncle decided to teach me how to lie. Not, he explained, because he wanted me to lie, but because he thought I should know how it’s done so I would recognise when I was being lied to.
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The basis of computer work is predicated on the idea that only the brain makes decisions and only the index finger does the work.
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If I tried to make a commercial album, it would be a complete flop. I have no idea what the world at large likes.
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The whole history of pop music had rested on the first person singular, with occasional intrusions of the second person singular.
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If I had a stock of fabulous sounds I would just always use them. I wouldn’t bother to find new ones.
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Given the chance, i’ll die like a baby, on some faraway beach, when the season’s over.
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I wanted to use the studio like a microscope for sound, which is what good engineers do.
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I belong to a gospel choir. They know I am an atheist but they are very tolerant.
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I wanted quite the opposite of that. I wanted them to accent their styles, so that they pulled away.
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I suppose I am reluctant about being any sort of ‘star’ and I didn’t particularly want to be portrayed as one.
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The texture suggests some kind of mood, and the mood suggests some kind of lyric. That’s like working in reverse, often quite the other way around, from sound to song. Although often they stop before they get to the song stage.
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I thought it was magic to be able to catch something identically on tape and then be able to play around with it, run it backwards; I thought that was great for years.
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The muscles are there simply to serve the head. But that isn’t how traditional players work at all; musicians know that their muscles have a lot of stuff going on as well. They’re using their whole body to make music, in fact.
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You either believe that people respond to authority, or that they respond to kindness and inclusion. I’m obviously in the latter camp. I think that people respond better to reward than punishment.
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I think we’re about ready for a new feeling to enter music. I think that will come from the Arabic world.
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The artists of the past who impressed me were the ones who really focused their work.
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My guitar only has five strings ’cause the top one broke and I decided not to put it back on: when I play chords I only play bar chords, and the top one always used to cut me there.
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Look closely at the most embarrassing details, and amplify them.
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Of course, like anybody I repeat myself endlessly, but I don’t know that I’m doing it, usually.
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