Every increase in your knowledge is a simultaneous decrease. You learn and you unlearn at the same time. A new certainty is a new doubt as well.
BRIAN ENOMy lyrics are generated by various peculiar processes. Very random and similar to automatic writing.
More Brian Eno Quotes
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I’m fascinated by musicians who don’t completely understand their territory; that’s when you do your best work.
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The texture suggests some kind of mood, and the mood suggests some kind of lyric. That’s like working in reverse, often quite the other way around, from sound to song. Although often they stop before they get to the song stage.
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A big ego isn’t necessarily a bad thing. A big ego means that you have some confidence in your abilities, really, and that you’re prepared to take the risk of trying them out.
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Set up a situation that presents you with something slightly beyond your reach.
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I always use the same guitar; I got this guitar years and years ago for nine pounds. It’s still got the same strings on it.
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All cultures have these feelings about non-functional areas of activity. And the more time people have on their hands, the more they commit it to those areas.
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I think that there’s something that I still like about the fact of a package, like the latest report from somebody. “Okay, this is what they’re up to now; this is what they’re doing; who’s working with them?
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I believe that singing is the key to long life, a good figure, a stable temperament, increased intelligence, new friends, super self-confidence , heightened sexual attractiveness, and a better sense of humor.
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I hate talking about music, to tell you the truth.
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When you look back on a historical period of music, it seems so obvious to you what the characteristics of it are, but they’re not obvious at the time. So, when I look back at my own work.
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But now you see the results of that in people who are completely crippled unless they know that they have the possibility of “cut and paste” and “undo.” And “undo” and “undo” and “undo” and “undo” and “undo” again.
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Avant-garde music is sort of research music. You’re glad someone’s done it but you don’t necessarily want to listen to it.
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It’s easy to forget that your best work is done when your attention is fully engaged.
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I don’t live in the past at all; I’m always wanting to do something new. I make a point of constantly trying to forget and get things out of my mind.
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If I had a stock of fabulous sounds I would just always use them. I wouldn’t bother to find new ones.
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You don’t have to act as if you know what you’re doing
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One of the interesting things about having little musical knowledge is that you generate surprising results sometimes; you move to places you wouldn’t if you knew better.
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What happens with notation is that it reduces things to a language which isn’t necessarily appropriate to them. In the same way that words do, you get a much cruder version of what was actually intended.
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The artists of the past who impressed me were the ones who really focused their work.
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One of the great breakthroughs of evolution theory is that you start with simple things and they will grow into complexity.
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Anything popular is populist, and populist is rarely a good adjective.
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If I tried to make a commercial album, it would be a complete flop. I have no idea what the world at large likes.
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What matters in modern music is not the part you can write down, the words and the tune, but the rest – the texture, the atmosphere, the references and associations.
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Not many people bought Velvet Underground LPs, but those who did, started a band.
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I don’t want to do free jazz! Because free jazz – which is the musical equivalent of free marketeering – isn’t actually free at all. It’s just constrained by what your muscles can do.
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The problem with computers is that there is not enough Africa in them.
BRIAN ENO