I had an interesting day. I was in the studio with a group of musicians, who shall remain nameless, and I said to them “Our exercise today is not to use ‘undo’ at all. So, there’s no second takes. Or, if you do a second take, you have to do the whole take.
BRIAN ENOI had a lot of trouble with engineers, because their whole background is learning from a functional point of view, and then learning how to perform that function.
More Brian Eno Quotes
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It’s amazing how quickly people get used to bad quality.
BRIAN ENO -
When people censor themselves they’re just as likely to get rid of the good bits as the bad bits.
BRIAN ENO -
Quite often, and in fact more often, I would say, I’m struggling all the way through to think, “What is it I like about this? What is the personality of this thing I’m hearing that I like so much?”
BRIAN ENO -
Let’s do something else.”And you always think “Oh my God I’ve never done anything at all like that before.” But, of course, in retrospect, and to an outsider, they’ll say, “Oh, yeah that’s typical Eno.
BRIAN ENO -
I want to rethink surrender as an active verb.
BRIAN ENO -
I believe that singing is the key to long life, a good figure, a stable temperament, increased intelligence, new friends, super self-confidence , heightened sexual attractiveness, and a better sense of humor.
BRIAN ENO -
Painting, I think it’s like jazz.
BRIAN ENO -
Human development thus far has been fueled and guided by the feeling that things could be, and are probably going to be, better.
BRIAN ENO -
Robert Fripp and I will be recording another LP very soon. It should be even more monotonous than the first one!
BRIAN ENO -
Everybody is entertained to death.
BRIAN ENO -
The time I like listening to music most on headphones is, I have a game I play with my brother, he’s a musician as well.And he sends me MIDI files of keyboard pieces. So, these are pieces where I just get a MIDI file.
BRIAN ENO -
The whole history of pop music had rested on the first person singular, with occasional intrusions of the second person singular.
BRIAN ENO -
In the 1960s, people were trying to get away from the pop song format. Tracks were getting longer, or much, much shorter.
BRIAN ENO -
I do sometimes look back at things I’ve written in the past, and think, ‘I just don’t remember being the person who wrote that.’
BRIAN ENO -
There are certain sounds that I’ve found work well in nearly any context. Their function is not so much musical as spatial: they define the edges of the territory of the music.
BRIAN ENO