One often makes music to supplement one’s world.
BRIAN ENOI believe it builds character and, more than anything else, encourages a taste for co-operation with others. This seems to be about the most important thing a school could do for you.
More Brian Eno Quotes
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Anything popular is populist, and populist is rarely a good adjective.
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It’s amazing how quickly people get used to bad quality.
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Let’s do something else.”And you always think “Oh my God I’ve never done anything at all like that before.” But, of course, in retrospect, and to an outsider, they’ll say, “Oh, yeah that’s typical Eno.
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Cultural objects have no notable identity outside of that which we confer upon them. Their value is entirely a product of the interaction that we have with them.
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With all fashion, what we do is play at being somebody else. We play at inhabiting another kind of world.
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I think we’re about ready for a new feeling to enter music. I think that will come from the Arabic world.
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When I work there are two distinct phases: the phase of pushing the work along, getting something to happen, where all the input comes from me, and phase two, where things start to combine in a way that wasn’t expected or predicted by what I supplied.
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If you grow up in a very strong religion like Catholicism you certainly cultivate in yourself a certain taste for the intensity of ideas.
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I thought it was magic to be able to catch something identically on tape and then be able to play around with it, run it backwards; I thought that was great for years.
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Robert Fripp and I will be recording another LP very soon. It should be even more monotonous than the first one!
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The thing that obsesses me more than anything is waste – the waste of human intelligence and creativity.
BRIAN ENO -
It infuriates me that stuff from the Internet routinely doesn’t include all the credits. Because as soon as I listen to something, if I like it, I want to know, “Who’s the bass player?” “Who did that?” “Who’s the engineer on this?
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People in the arts often want to aim for the biggest, most obvious target, and hit it smack in the bull’s eye.
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I love the sort of ambivalence of this, the ambiguity of something – being, for instance, in a quite busy Mexican restaurant with one of these very gentle tracks playing I remember as being particularly nice.
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You know that in order to copyright material somebody has to write it down for you. Any piece of recorded material has to be scored in order for it to be copyrighted.
BRIAN ENO