The thing that obsesses me more than anything is waste – the waste of human intelligence and creativity.
BRIAN ENOIt infuriates me that stuff from the Internet routinely doesn’t include all the credits. Because as soon as I listen to something, if I like it, I want to know, “Who’s the bass player?” “Who did that?” “Who’s the engineer on this?
More Brian Eno Quotes
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Human development thus far has been fueled and guided by the feeling that things could be, and are probably going to be, better.
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I often work by avoidance.
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In terms of what has been happening recently, there have been, I think, some really interesting new instruments that have come out that sort of show me the direction of the future. Korg has introduced the – they’ve had a whole series now of these things called Kaoss Pads.
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Set up a situation that presents you with something slightly beyond your reach.
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The basis of computer work is predicated on the idea that only the brain makes decisions and only the index finger does the work.
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I wanted to get rid of the element that had been considered essential in pop music: the voice.
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I hate the way CDs just drone on for bloody hours and you stop caring.
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Being completely free to choose what to do is actually quite difficult
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There are hundreds of manufacturers always producing dvices that in general do the same things. Since they have slight structural differences if you take one and fool around with it and give it a good kick it will actually do something that it wasn’t designed to do.
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One of the interesting things about having little musical knowledge is that you generate surprising results sometimes; you move to places you wouldn’t if you knew better.
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I love the sort of ambivalence of this, the ambiguity of something – being, for instance, in a quite busy Mexican restaurant with one of these very gentle tracks playing I remember as being particularly nice.
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I had a lot of trouble with engineers, because their whole background is learning from a functional point of view, and then learning how to perform that function.
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I occasionally meet people and they say, ‘Oh, I was born to Discreet Music’… They always have very weird eyes, those people.
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The problem with computers is that there is not enough Africa in them.
BRIAN ENO -
The prospect of music being detachable from time and place meant that one could start to think of music as a part of one’s furniture.
BRIAN ENO