Set up a situation that presents you with something slightly beyond your reach.
BRIAN ENORationality is what we do to organize the world, to make it possible to predict. Art is the rehearsal for the inapplicability and failure of that process.
More Brian Eno Quotes
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I don’t want to do free jazz! Because free jazz – which is the musical equivalent of free marketeering – isn’t actually free at all. It’s just constrained by what your muscles can do.
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I’m fascinated by musicians who don’t completely understand their territory; that’s when you do your best work.
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Saying that cultural objects have value is like saying that telephones have conversations.
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I’ve got a feeling that music might not be the most interesting place to be in the world of things.
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Admirers can be a tremendous force for conservatism.
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Music in itself carries a whole set of messages which are very, very rich and complex, and the words either serve to exclude certain ones or point up certain others.
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People who are very confident in themselves aren’t hurt by criticism. They make use of it.
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My lyrics are generated by various peculiar processes. Very random and similar to automatic writing.
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Try to make things that can become better in other people’s minds than they were in yours.
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I’ve always thought that art is a lie, an interesting lie. And I’ll sort of listen to the “lie” and try to imagine the world which makes that lie true…what that world must be like, and what would have to happen for us to get from this world to that one.
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Put out as much as you can. It doesn’t do anything sitting on a shelf.
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All cultures have these feelings about non-functional areas of activity. And the more time people have on their hands, the more they commit it to those areas.
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Be the first to not do what nobody has ever thought of not doing before.
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Human development thus far has been fueled and guided by the feeling that things could be, and are probably going to be, better.
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Stop thinking about art works as objects, and start thinking about them as triggers for experiences.
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Painting, I think it’s like jazz.
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Every collaboration helps you grow.
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Given the chance, i’ll die like a baby, on some faraway beach, when the season’s over.
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I think very often producers are really trying to repeat things. When they hear something in the new songs that they recognize as being a bit like something that was a success on a previous record, they’re inclined to encourage that.
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I love San Francisco and Brighton has something of San Francisco about it. It’s by the sea, there’s a big gay community, a feeling of people being there because they enjoy their life there.
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Something I’ve realized lately, to my shock, is that I am an optimist, in that I think humans are almost infinitely capable of self-change and self-modification, and that we really can build the future that we want if we’re smart about it.
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I see TV as a picture medium rather than a narrative medium.
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So, I try to make signs, graphically and visually, to say to people “Okay, this is this department of my work and this is this other department of my work.” And of course I’m very pleased if people like all of them, but I don’t want them to feel deceived at any point.
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I had a lot of trouble with engineers, because their whole background is learning from a functional point of view, and then learning how to perform that function.
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People in the arts often want to aim for the biggest, most obvious target, and hit it smack in the bull’s eye.
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In terms of what has been happening recently, there have been, I think, some really interesting new instruments that have come out that sort of show me the direction of the future. Korg has introduced the – they’ve had a whole series now of these things called Kaoss Pads.
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