Perhaps when music has been shouting for so long, a quieter voice seems attractive.
BRIAN ENOI see TV as a picture medium rather than a narrative medium.
More Brian Eno Quotes
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Feelings are more dangerous than ideas, because they aren’t susceptible to rational evaluation. They grow quietly, spreading underground, and erupt suddenly, all over the place.
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I believe in singing.
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I’m fascinated by musicians who don’t completely understand their territory; that’s when you do your best work.
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Once I started working with generative music in the 1970s, I was flirting with ideas of making a kind of endless music – not like a record that you’d put on, which would play for a while and finish.
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Most game music is based on loops effectively.
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You either believe that people respond to authority, or that they respond to kindness and inclusion. I’m obviously in the latter camp. I think that people respond better to reward than punishment.
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It’s nice, I think, when people use your music for things you didn’t think of.
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I often work by avoidance.
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I hate the rock music tradition. I can’t bear it!
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People in the arts often want to aim for the biggest, most obvious target, and hit it smack in the bull’s eye.
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Given the chance, i’ll die like a baby, on some faraway beach, when the season’s over.
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I’ve always thought that art is a lie, an interesting lie. And I’ll sort of listen to the “lie” and try to imagine the world which makes that lie true…what that world must be like, and what would have to happen for us to get from this world to that one.
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When you look back on a historical period of music, it seems so obvious to you what the characteristics of it are, but they’re not obvious at the time. So, when I look back at my own work.
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In England and Europe, we have this huge music called ambient – ambient techno, ambient house, ambient hip-hop, ambient this, ambient that.
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One of the interesting things about having little musical knowledge is that you generate surprising results sometimes; you move to places you wouldn’t if you knew better.
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The Marshall guitar amplifier doesn’t just get louder when you turn it up. It distorts the sound to produce a whole range of new harmonics, effectively turning a plucked string instrument into a bowed one.
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In fact, quite a lot of what I do has to do with sound texture, and, you can’t notate that. You can’t notate the sound of “St. Elmo’s Fire.” There’s no way of writing that down. That’s because musical notation arose at a time when sound textures were limited.
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One often makes music to supplement one’s world.
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The whole history of pop music had rested on the first person singular, with occasional intrusions of the second person singular.
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Put out as much as you can. It doesn’t do anything sitting on a shelf.
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In terms of what has been happening recently, there have been, I think, some really interesting new instruments that have come out that sort of show me the direction of the future. Korg has introduced the – they’ve had a whole series now of these things called Kaoss Pads.
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So, that means you can only play either very high or very low or both. And we’re going to stay there until I take my finger down.
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I had a lot of trouble with engineers, because their whole background is learning from a functional point of view, and then learning how to perform that function.
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Try to make things that can become better in other people’s minds than they were in yours.
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I always use the same guitar; I got this guitar years and years ago for nine pounds. It’s still got the same strings on it.
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I think the other thing that’s important is getting to a place, which very, very rarely happens with improvising groups, where somebody can decide not to play for a while. You watch any group of musicians improvising together and they nearly all play nearly all the time.
BRIAN ENO