If I tried to make a commercial album, it would be a complete flop. I have no idea what the world at large likes.
BRIAN ENOIn fact, quite a lot of what I do has to do with sound texture, and, you can’t notate that. You can’t notate the sound of “St. Elmo’s Fire.” There’s no way of writing that down. That’s because musical notation arose at a time when sound textures were limited.
More Brian Eno Quotes
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Culture is everything you don’t have to do.
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I believe that singing is the key to long life, a good figure, a stable temperament, increased intelligence, new friends, super self-confidence , heightened sexual attractiveness, and a better sense of humor.
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If something is good, you must torture it mercilessly until it is either dead or great.
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Ambient music is intended to induce calm and a space to think.
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Anything popular is populist, and populist is rarely a good adjective.
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I occasionally meet people and they say, ‘Oh, I was born to Discreet Music’… They always have very weird eyes, those people.
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Most game music is based on loops effectively.
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I do sometimes look back at things I’ve written in the past, and think, ‘I just don’t remember being the person who wrote that.’
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Lyrics are always misleading because they make people think that that’s what the music is about.
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I’ve noticed a terrible thing, which is I will agree to anything if it’s far enough in the future.
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With all fashion, what we do is play at being somebody else. We play at inhabiting another kind of world.
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I hate talking about music, to tell you the truth.
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It’s easy to forget that your best work is done when your attention is fully engaged.
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What happens with notation is that it reduces things to a language which isn’t necessarily appropriate to them. In the same way that words do, you get a much cruder version of what was actually intended.
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Whatever you now find weird, ugly, uncomfortable and nasty about a new medium will surely become its signature… The excitement of grainy film, of bleached-out black and white, is the excitement of witnessing events too momentous for the medium assigned to record them.
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Robert Fripp and I will be recording another LP very soon. It should be even more monotonous than the first one!
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So, I try to make signs, graphically and visually, to say to people “Okay, this is this department of my work and this is this other department of my work.” And of course I’m very pleased if people like all of them, but I don’t want them to feel deceived at any point.
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Look closely at the most embarrassing details, and amplify them.
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I believe it builds character and, more than anything else, encourages a taste for co-operation with others. This seems to be about the most important thing a school could do for you.
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Cultural objects have no notable identity outside of that which we confer upon them. Their value is entirely a product of the interaction that we have with them.
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Put out as much as you can. It doesn’t do anything sitting on a shelf.
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Editing is now the easiest thing on earth to do, and all the things that evolved out of word processing – ‘Oh, let’s put that sentence there, let’s get rid of this’ – have become commonplace in films and music too.
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Not many people bought Velvet Underground LPs, but those who did, started a band.
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When people censor themselves they’re just as likely to get rid of the good bits as the bad bits.
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In England and Europe, we have this huge music called ambient – ambient techno, ambient house, ambient hip-hop, ambient this, ambient that.
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The most important thing in a piece of music is to seduce people to the point where they start searching.
BRIAN ENO