I prefer to shoot the arrow, then paint the target around it. You make the niches in which you finally reside.
BRIAN ENOCulture is everything you don’t have to do.
More Brian Eno Quotes
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I wanted quite the opposite of that. I wanted them to accent their styles, so that they pulled away.
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Think inside the work – outside the work
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Make an exhaustive list of everything you might do & do the last thing on the list.
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I had a lot of trouble with engineers, because their whole background is learning from a functional point of view, and then learning how to perform that function.
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I thought it was magic to be able to catch something identically on tape and then be able to play around with it, run it backwards; I thought that was great for years.
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My lyrics are generated by various peculiar processes. Very random and similar to automatic writing.
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What happens with notation is that it reduces things to a language which isn’t necessarily appropriate to them. In the same way that words do, you get a much cruder version of what was actually intended.
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All the best lyrics are written in ten minutes.
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There’s a kind of edge to what you’re doing, the kind of leading edge of what you’re doing. Inside that edge [are elements you] are familiar with, and are probably becoming slightly bored with, as well, over a period of time. “I’ve pulled that one out before. Oh, no, I can’t I’m just fed up with that.
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I’m fascinated by musicians who don’t completely understand their territory; that’s when you do your best work.
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Avant-garde music is sort of research music. You’re glad someone’s done it but you don’t necessarily want to listen to it.
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For instance, I’m always fascinated to see whether, given the kind of fairly known and established form called popular music, whether there is some magic combination that nobody has hit upon before.
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The idea that something is uncool because it’s old or foreign has left the collective consciousness.
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A part of me has become immortal, out of my control.
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Stop thinking about art works as objects, and start thinking about them as triggers for experiences.
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When I’ve finally got the title, I think, “Okay, yes, now I know where we are. Now I know what it is. Fine, that must be finished or nearly finished.
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I believe it builds character and, more than anything else, encourages a taste for co-operation with others. This seems to be about the most important thing a school could do for you.
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One of the great breakthroughs of evolution theory is that you start with simple things and they will grow into complexity.
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A responsible designer might try to overcome this limitation – probably the engineers at Marshall tried, too. But that sound became the sound of, among others, Jimi Hendrix. That sound is called electric guitar.
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If you grow up in a very strong religion like Catholicism you certainly cultivate in yourself a certain taste for the intensity of ideas.
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In England and Europe, we have this huge music called ambient – ambient techno, ambient house, ambient hip-hop, ambient this, ambient that.
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Editing is now the easiest thing on earth to do, and all the things that evolved out of word processing – ‘Oh, let’s put that sentence there, let’s get rid of this’ – have become commonplace in films and music too.
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The reason I don’t tour is that I don’t know how to front a band. What would I do? I can’t really play anything well enough to deal with that situation.
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Look closely at the most embarrassing details, and amplify them.
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If I had a stock of fabulous sounds I would just always use them. I wouldn’t bother to find new ones.
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I wanted to use the studio like a microscope for sound, which is what good engineers do.
BRIAN ENO