I prefer to shoot the arrow, then paint the target around it. You make the niches in which you finally reside.
BRIAN ENOPeople do dismiss ambient music, don’t they? They call it ‘easy listening,’ as if to suggest that it should be hard to listen to.
More Brian Eno Quotes
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I don’t want to do free jazz! Because free jazz – which is the musical equivalent of free marketeering – isn’t actually free at all. It’s just constrained by what your muscles can do.
BRIAN ENO -
Let’s do something else.”And you always think “Oh my God I’ve never done anything at all like that before.” But, of course, in retrospect, and to an outsider, they’ll say, “Oh, yeah that’s typical Eno.
BRIAN ENO -
Feelings are more dangerous than ideas, because they aren’t susceptible to rational evaluation. They grow quietly, spreading underground, and erupt suddenly, all over the place.
BRIAN ENO -
The idea that something is uncool because it’s old or foreign has left the collective consciousness.
BRIAN ENO -
Everybody is entertained to death.
BRIAN ENO -
I want to rethink surrender as an active verb.
BRIAN ENO -
The most important thing is the thing most easily forgotten.
BRIAN ENO -
The tools are evolving, and people’s interests are evolving as well. So, suddenly people like to hear bands, people like Devendra Banhart or the xx, bands that make a kind of virtue of sloppiness.
BRIAN ENO -
I hate the thought that someone had picked up one of my song records and was really excited about it, and walks [out of] a record shop with On Land and is disappointed because it isn’t what they wanted.
BRIAN ENO -
The muscles are there simply to serve the head. But that isn’t how traditional players work at all; musicians know that their muscles have a lot of stuff going on as well. They’re using their whole body to make music, in fact.
BRIAN ENO -
I wanted quite the opposite of that. I wanted them to accent their styles, so that they pulled away.
BRIAN ENO -
The great benefit of computer sequencers is that they remove the issue of skill, and replace it with the issue of judgement
BRIAN ENO -
Sometimes they’re of my own creation, as well – and they’re just as annoying. It’s not only other people’s ear worms that bug me, it’s my own, as well.
BRIAN ENO -
I got interested in the idea of music that could make itself, in a sense, in the mid 1960s really, when I first heard composers like Terry Riley, and when I first started playing with tape recorders.
BRIAN ENO -
I do sometimes look back at things I’ve written in the past, and think, ‘I just don’t remember being the person who wrote that.’
BRIAN ENO