The problem with computers is that there is not enough Africa in them.
BRIAN ENOI’m not interested in possible complexities. I regard song structure as a graph paper.
More Brian Eno Quotes
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For me it’s always contingent on getting a sound-the sound always suggests what kind of melody it should be. So it’s always sound first and then the line afterwards.
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It’s nice, I think, when people use your music for things you didn’t think of.
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Composition is a way of living out your philosophy and calling it art.
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It’s actually very easy for democracy to disappear.
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I think the idea that people walk around to music is very interesting. They are actually creating the soundtrack to their lives as they walk around to it.
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Because if someone does that, you can find your own position in relation to it: what is it that I don’t agree with? In the studio I want to articulate a position clearly enough so that other people can use it – or chuck it away if they don’t want it.
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We’re going through this super-uptight era, which I think comes entirely from literacy, actually. It’s the result of machines that were designed as word processors being used for making music.
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There are certain sounds that I’ve found work well in nearly any context. Their function is not so much musical as spatial: they define the edges of the territory of the music.
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The whole history of pop music had rested on the first person singular, with occasional intrusions of the second person singular.
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My lyrics are generated by various peculiar processes. Very random and similar to automatic writing.
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I belong to a gospel choir. They know I am an atheist but they are very tolerant.
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I believe that singing is the key to long life, a good figure, a stable temperament, increased intelligence, new friends, super self-confidence , heightened sexual attractiveness, and a better sense of humor.
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Anything popular is populist, and populist is rarely a good adjective.
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Human development thus far has been fueled and guided by the feeling that things could be, and are probably going to be, better.
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As soon as you externalize an idea you see facets of it that weren’t clear when it was just floating around in your head.
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Most game music is based on loops effectively.
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The Marshall guitar amplifier doesn’t just get louder when you turn it up. It distorts the sound to produce a whole range of new harmonics, effectively turning a plucked string instrument into a bowed one.
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If you grow up in a very strong religion like Catholicism you certainly cultivate in yourself a certain taste for the intensity of ideas.
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Saying that cultural objects have value is like saying that telephones have conversations.
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Given the chance, i’ll die like a baby, on some faraway beach, when the season’s over.
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When I went back to England after a year away, the country seemed stuck, dozing in a fairy tale, stifled by the weight of tradition.
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When I’ve finally got the title, I think, “Okay, yes, now I know where we are. Now I know what it is. Fine, that must be finished or nearly finished.
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People do dismiss ambient music, don’t they? They call it ‘easy listening,’ as if to suggest that it should be hard to listen to.
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Ambient Music must be able to accommodate many levels of listening attention without enforcing one in particular; it must be as ignorable as it is interesting.
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I think very often producers are really trying to repeat things. When they hear something in the new songs that they recognize as being a bit like something that was a success on a previous record, they’re inclined to encourage that.
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I still do mostly listen to CDs. I think that every format really is a different way of listening. If you take a different sort of psychological stance to it – like, I think the transition from vinyl to CD definitely marked a difference in the way people treated music.
BRIAN ENO