The most important thing is the thing most easily forgotten.
BRIAN ENOI don’t like celebrity programmes – but I do like programmes about how ideas are formed and evolve.
More Brian Eno Quotes
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Painting, I think it’s like jazz.
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The texture suggests some kind of mood, and the mood suggests some kind of lyric. That’s like working in reverse, often quite the other way around, from sound to song. Although often they stop before they get to the song stage.
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Think inside the work – outside the work
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Stop thinking about art works as objects, and start thinking about them as triggers for experiences.
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I hate the rock music tradition. I can’t bear it!
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All cultures have these feelings about non-functional areas of activity. And the more time people have on their hands, the more they commit it to those areas.
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The idea that something is uncool because it’s old or foreign has left the collective consciousness.
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One of the interesting things about having little musical knowledge is that you generate surprising results sometimes; you move to places you wouldn’t if you knew better.
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The vinyl commands a certain kind of reverence because it’s a big object and quite fragile so you handle it rather carefully, and it’s expensive so you pay attention to how it’s looked after.
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Human development thus far has been fueled and guided by the feeling that things could be, and are probably going to be, better.
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I don’t like headphones very much, and I rarely listen to music on headphones.
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As struggles go, being an artist isn’t that much of one.
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Some people are very good at being ‘stars’ and it suits them. I’m grudging about it and I find it annoying.
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Look closely at the most embarrassing details, and amplify them.
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Composition is a way of living out your philosophy and calling it art.
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I don’t want to do free jazz! Because free jazz – which is the musical equivalent of free marketeering – isn’t actually free at all. It’s just constrained by what your muscles can do.
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Feelings are more dangerous than ideas, because they aren’t susceptible to rational evaluation. They grow quietly, spreading underground, and erupt suddenly, all over the place.
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There are hundreds of manufacturers always producing dvices that in general do the same things. Since they have slight structural differences if you take one and fool around with it and give it a good kick it will actually do something that it wasn’t designed to do.
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The reason I don’t tour is that I don’t know how to front a band. What would I do? I can’t really play anything well enough to deal with that situation.
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Sometimes you recognize that there is a category of human experience that has not been identified but everyone knows about it. That is when I find a term to describe it.
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I believe it builds character and, more than anything else, encourages a taste for co-operation with others. This seems to be about the most important thing a school could do for you.
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I see TV as a picture medium rather than a narrative medium.
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Emotion creates reality, reality demands action.
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For me it’s always contingent on getting a sound-the sound always suggests what kind of melody it should be. So it’s always sound first and then the line afterwards.
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When I was working with Talking Heads what would happen typically is that they would go out and start playing a track, and I would always run the tape.
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Cultural objects have no notable identity outside of that which we confer upon them. Their value is entirely a product of the interaction that we have with them.
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