If I had a stock of fabulous sounds I would just always use them. I wouldn’t bother to find new ones.
BRIAN ENOThe great benefit of computer sequencers is that they remove the issue of skill, and replace it with the issue of judgement
More Brian Eno Quotes
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I love the sort of ambivalence of this, the ambiguity of something – being, for instance, in a quite busy Mexican restaurant with one of these very gentle tracks playing I remember as being particularly nice.
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Admirers can be a tremendous force for conservatism.
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In England and Europe, we have this huge music called ambient – ambient techno, ambient house, ambient hip-hop, ambient this, ambient that.
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I don’t want to do free jazz! Because free jazz – which is the musical equivalent of free marketeering – isn’t actually free at all. It’s just constrained by what your muscles can do.
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The prospect of music being detachable from time and place meant that one could start to think of music as a part of one’s furniture.
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The great benefit of computer sequencers is that they remove the issue of skill, and replace it with the issue of judgement
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I’ve noticed a terrible thing, which is I will agree to anything if it’s far enough in the future.
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So, that means you can only play either very high or very low or both. And we’re going to stay there until I take my finger down.
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Of course, like anybody I repeat myself endlessly, but I don’t know that I’m doing it, usually.
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You don’t have to act as if you know what you’re doing
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It infuriates me that stuff from the Internet routinely doesn’t include all the credits. Because as soon as I listen to something, if I like it, I want to know, “Who’s the bass player?” “Who did that?” “Who’s the engineer on this?
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Music in itself carries a whole set of messages which are very, very rich and complex, and the words either serve to exclude certain ones or point up certain others.
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Everybody is entertained to death.
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We have two different ways of working. One is completely unstructured where somebody just starts playing and somebody joins in and then the other person joins in, and something starts to happen. That’s occasionally what happens.
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If you grow up in a very strong religion like Catholicism you certainly cultivate in yourself a certain taste for the intensity of ideas.
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Sometimes they’re of my own creation, as well – and they’re just as annoying. It’s not only other people’s ear worms that bug me, it’s my own, as well.
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I’ve always thought that art is a lie, an interesting lie. And I’ll sort of listen to the “lie” and try to imagine the world which makes that lie true…what that world must be like, and what would have to happen for us to get from this world to that one.
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Set up a situation that presents you with something slightly beyond your reach.
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I hate talking about music, to tell you the truth.
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In fact, quite a lot of what I do has to do with sound texture, and, you can’t notate that. You can’t notate the sound of “St. Elmo’s Fire.” There’s no way of writing that down. That’s because musical notation arose at a time when sound textures were limited.
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I wanted to get rid of the element that had been considered essential in pop music: the voice.
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I belong to a gospel choir. They know I am an atheist but they are very tolerant.
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Rationality is what we do to organize the world, to make it possible to predict. Art is the rehearsal for the inapplicability and failure of that process.
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Human development thus far has been fueled and guided by the feeling that things could be, and are probably going to be, better.
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Look closely at the most embarrassing details, and amplify them.
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People do dismiss ambient music, don’t they? They call it ‘easy listening,’ as if to suggest that it should be hard to listen to.
BRIAN ENO