Sometimes they’re of my own creation, as well – and they’re just as annoying. It’s not only other people’s ear worms that bug me, it’s my own, as well.
BRIAN ENOI hate the thought that someone had picked up one of my song records and was really excited about it, and walks [out of] a record shop with On Land and is disappointed because it isn’t what they wanted.
More Brian Eno Quotes
-
-
The great benefit of computer sequencers is that they remove the issue of skill, and replace it with the issue of judgement
BRIAN ENO -
I felt extremely uncomfortable as the focal point, in the spotlight. I really like the behind the scenes role, because all my freedom is there.
BRIAN ENO -
I wanted to use the studio like a microscope for sound, which is what good engineers do.
BRIAN ENO -
One of the great breakthroughs of evolution theory is that you start with simple things and they will grow into complexity.
BRIAN ENO -
The vinyl commands a certain kind of reverence because it’s a big object and quite fragile so you handle it rather carefully, and it’s expensive so you pay attention to how it’s looked after.
BRIAN ENO -
But now you see the results of that in people who are completely crippled unless they know that they have the possibility of “cut and paste” and “undo.” And “undo” and “undo” and “undo” and “undo” and “undo” again.
BRIAN ENO -
I don’t want to do free jazz! Because free jazz – which is the musical equivalent of free marketeering – isn’t actually free at all. It’s just constrained by what your muscles can do.
BRIAN ENO -
I’m struck by the insidious, computer-driven tendency to take things out of the domain of muscular activity and put them into the domain of mental activity.
BRIAN ENO -
The seven white notes on the piano – each section of the piece (there are 12 sections) is five of those seven white notes.
BRIAN ENO -
Ambient Music must be able to accommodate many levels of listening attention without enforcing one in particular; it must be as ignorable as it is interesting.
BRIAN ENO -
Everybody is entertained to death.
BRIAN ENO -
Music in itself carries a whole set of messages which are very, very rich and complex, and the words either serve to exclude certain ones or point up certain others.
BRIAN ENO -
So, that means you can only play either very high or very low or both. And we’re going to stay there until I take my finger down.
BRIAN ENO -
When people censor themselves they’re just as likely to get rid of the good bits as the bad bits.
BRIAN ENO -
In England and Europe, we have this huge music called ambient – ambient techno, ambient house, ambient hip-hop, ambient this, ambient that.
BRIAN ENO -
One often makes music to supplement one’s world.
BRIAN ENO -
It infuriates me that stuff from the Internet routinely doesn’t include all the credits. Because as soon as I listen to something, if I like it, I want to know, “Who’s the bass player?” “Who did that?” “Who’s the engineer on this?
BRIAN ENO -
The problem with computers is that there is not enough Africa in them.
BRIAN ENO -
When I went back to England after a year away, the country seemed stuck, dozing in a fairy tale, stifled by the weight of tradition.
BRIAN ENO -
Of course, like anybody I repeat myself endlessly, but I don’t know that I’m doing it, usually.
BRIAN ENO -
The thing that obsesses me more than anything is waste – the waste of human intelligence and creativity.
BRIAN ENO -
Ambient music is intended to induce calm and a space to think.
BRIAN ENO -
Put out as much as you can. It doesn’t do anything sitting on a shelf.
BRIAN ENO -
I don’t live in the past at all; I’m always wanting to do something new. I make a point of constantly trying to forget and get things out of my mind.
BRIAN ENO -
I prefer to shoot the arrow, then paint the target around it. You make the niches in which you finally reside.
BRIAN ENO -
What matters in modern music is not the part you can write down, the words and the tune, but the rest – the texture, the atmosphere, the references and associations.
BRIAN ENO