If I have a collection of songs for an EP or mixtape, I create the narrative afterwards; but usually with an album, I have a concept and the name first.
BRENT FAIYAZI think it was ‘The Diary of Alicia Keys’. That was the first time album I ever bought with my own money. I had a little Discman.
More Brent Faiyaz Quotes
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Sonder is the realization that every individual passerby has their own life just as vivid and complex as yours.
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Me and Goldlink have known of each other for a minute and our managers know each other so they set up a studio session. When we got in the studio, we was cool; we’re from the same area so we have a lot in common.
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I want to put my soul into the music and still be who I am when it comes to an actual conversation.
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I recorded everywhere. I would go to different cities and do a session there for the project. I did sessions in New York and I did sessions in L.A. It was just kind of wherever I was and I felt like cutting a track.
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People will listen to a song and expect that you just have that persona on all the time. But really, that was your one outlet that one day to get that emotion out. The only difference was you put it on a canvas that’s going to be there forever.
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I feel you gotta be nervous. If you’re nervous, it’s just ’cause you want to do well, it’s not ’cause you’re scared.
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If I’m being honest, I was messing up on every other level in my life growing up – whether it was in school or in my jobs. I was always distracted by my love for music.
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With the Sonder music, I pull a lot from what’s around me.
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I mean, I wasn’t the best student in school. It would be different if I were to pursue music while I was already in school and doing things for my parents to be proud of and music was a side thing. Being that I dropped everything to do music, they was not with it.
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I got a toy keyboard when I was around like five or six.
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I’ve always felt like I was observing everything, like I’m just looking out of the window, peeping how everybody is living and just penning about it, so I made the album about that concept.
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I’d prefer for people to know that they’re going to get some substance when they listen to my music versus hearing the same ‘Oooh baby, I love you.’
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You gotta question the purpose you serve for those who invite themselves into your life. Learn who you are and always question the motive. No one knows you the way you do.
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If you’re my woman, you’re somebody I give emotions to that I don’t give to nobody else. You’re my safe space. I don’t want my safe space to be compromised.
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I could always sing just playing around, but I ain’t want to be no singer. I thought that was lame.
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You work on something for so long that you become numb to it. Like, you don’t even know how to listen to it because you listened to it so many times.
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My music is often written from the perspective of an extroverted introvert.
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As cliche as it sounds, don’t stop. I feel like so often people will have talent or have potential, and they’ll quit because they don’t get anywhere as soon as they want to.
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I really just wanted to make something special for women. There aren’t enough records uplifting them out there.
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I think if you’re an interesting person, you don’t have to cloud yourself in mystery for people to want to know more about you.
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In 2018, nothing is sacred. Everyone is everywhere and knows everybody. I don’t text too personal because somebody might screenshot it and share it.
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I want to own my masters. That’s the main thing–owning all my music.
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When you’re initially making music, you’re kind of just shooting at the air.
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I work while I’m on the move, so I’m able to book sessions in different cities.
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There’s the hype stuff that people love for five minutes and then there’s the stuff that changes cultures and shifts how you look at music. And then there’s that rare point where that hype stuff changes the game.
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I probably talk to myself more than I talk to anyone.
BRENT FAIYAZ