“I’ve always felt like I was observing everything, like I’m just looking out of the window, peeping how everybody is living and just penning about it, so I made the album about that concept.”

The first couple of times I went out and heard my voice or heard people listening when I wasn’t the one playing it for them, it felt good.

If I have a collection of songs for an EP or mixtape, I create the narrative afterwards; but usually with an album, I have a concept and the name first.

I got a dog and am trying to elevate. I’m working out, eating healthier, reading books. Making ‘Make it Out Alive’ is going to be a reflection of all of that.

I’d prefer for people to know that they’re going to get some substance when they listen to my music versus hearing the same ‘Oooh baby, I love you.’

People will listen to a song and expect that you just have that persona on all the time. But really, that was your one outlet that one day to get that emotion out. The only difference was you put it on a canvas that’s going to be there forever.

I recorded everywhere. I would go to different cities and do a session there for the project. I did sessions in New York and I did sessions in L.A. It was just kind of wherever I was and I felt like cutting a track.

Rapping was kind of hard. It’s so many words. When you sing you can kind of stretch the words out. I didn’t have to write as much as everybody else.

My music is often written from the perspective of an extroverted introvert.

If it feels good coming out, then I really don’t care about anything else, for real. It’s all about just having fun with it. If it feels like less work, then the project is coming out better.

If I feel like making something, if I feel like saying something on the track, that’s what I am going to do – regardless of reaction.

I used to think that there was a certain way I had to stick to when it came to R&B, but now I’m saying whatever, the same way these rappers do. I’m bringing that into R&B music.

I don’t really feel the loyalty to any particular genre. To be completely honest, I’m an R&B singer because I’m black and I sing.

I work while I’m on the move, so I’m able to book sessions in different cities.

If you can look in the mirror and say I love myself, that’s going to affect your interactions with people who look like you.

I really just wanted to make something special for women. There aren’t enough records uplifting them out there.

I think it’s good that YouTube decided that they really want to showcase Black talent.

I always wanted to be on tour or making albums.

It wasn’t necessary to speak on the recession, you know what I mean, but I just though it made a lot of sense. I was like, “okay, cool,” I’m going to go with this approach for the name of the album [ The Recession].

I don’t think if you set out to make an album to get a bunch of Grammy nominations… you just have to set out to make an album you’ll really love.

My dreams as a kid were so far below the Grammys, like, maybe selling out a show, or, like, seeing your album on a shelf in an Urban Outfitters… and the Grammys are so far above that. It’s very ridiculous.

All the albums that I grew up listening to were produced by one person.

I wanted to make an album that melodically people can connect to; something that reflects our times and the kinds of difficulties we face.

I’m not the ‘rappity-rapper’ type dude. All my music is really true. I can’t just rap about nothing, just metaphors and putting words together. I can’t just smash out material like other guys. I just want my albums to be crazy every time I drop one.

I realized at a young age that sequence in an album is almost as important as the songs that are on the album.