“My guitar style was developed during that 10-year period. That’s me. That’s the way I play, and I don’t wish to play any other way. Our own individual identities are firmly stamped on this album.”

The term “genius” gets used far too loosely in rock & roll.

I can tell how far I ought to be going, I know how to get there, all I’ve got to do is keep playing.

My favorite guitar solo of all time was Elliot Randall’s on `Reelin’ In The Years’.

Almost the moment he died, they put him in Playboy as one of the greatest drummers, which he was – there’s no doubt about it. There’s never been anybody since. He’s one of the greatest drummers that ever lived.

I have a voracious appetite for all things, worldly and unworldly.

Just because you play bass, doesn’t mean you have no presence.

I really wasn’t needed. Just straightening up riffs, that’s all. Just two guitarists doing it instead of one.

You can’t overthink the music. Mood and intensity can’t be manufactured. The blues isn’t about structure; it’s what you bring to it. The spontaneity of capturing a specific moment is what drives it.

I’m still searching for an angel with a broken wing. It’s not very easy to find them these days.

I can communicate far better on a guitar than I can through my mouth.

I may not believe in myself, but I believe in what I’m doing.

I’m very fortunate because I love what I’m doing.

You can’t just find yourself doing something and not happy doing it.

I’ve never regretted anything I’ve ever done.

I always thought the good thing about the guitar was that they didn’t teach it in school.

I will still carry on changing all the time.

My album focuses on unrequited love quite a lot because I don’t think it’s spoken about enough in music. I’ve been through it myself and I found it hard to find songs that were about that, so I’ve definitely tried to make that a part of my album.

It takes a lot of people years to turn a negative into a positive. It takes me, like, an album.

What I’m hoping is that every album I’m going to do will give my audience something different, and that they’ll grow as I do.

It’s very hard to be an artist, on my first album, and I’m like asking for money for a music video for every song – it’s so hard to do. You have to pick your battles for sure, but I definitely want – and I’ve always worked to make it all connect – for all of it to feel cohesive.

When I first started writing the album, “Cry Baby” was a song that I really wanted to write because it represented all of these personal insecurities that I had for a long time.

People don’t make albums any more. It’s always about singles. I wanted to take that old-school approach.

Cry Baby wasn’t necessarily a baby theme but I understand what they’re saying. So like, Cry Baby is definitely a remaining character throughout all of my albums.

I’m obsessed with the venue and the people so it’s going to be really fun.The last couple of tours I didn’t have anything like that because of the budget, so I’m super excited because this is really going to bring the album to life.