There’s music that can affect people in their lives, and they will always relate to the point that they heard it and experienced it, either if you’re playing it or you’re receptive, as an audience.
JIMMY PAGEMy favorite guitar solo of all time was Elliot Randall’s on `Reelin’ In The Years’.
More Jimmy Page Quotes
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I don’t go walking into things blind.
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The idea of a hypnotic riff as the prime mover of a piece of music has been around for a long time, whether you’re talking about the Delta blues or music from Middle Eastern and African cultures.
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I know where I’m going musically. I can see my pattern and I’m going much slower than I thought I’d be going.
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The greatest satisfaction is not the decoration. It is knowing that I am able to help someone who needs help.
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There’s always music that moves me. It doesn’t necessarily mean that it’s within the parenthesis of rock or blues, or whatever. It’s usually far more reaching than that. It can be in many different genres.
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You can’t buy time. Everything, for me, seems to be a race against time. Especially musically.
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I can only listen to what I’m working on, at the time. I can’t listen to anything else because I don’t want to copy it.
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A lot of people can’t be on their own. They get frightened. Isolation doesn’t bother me at all. It gives me a sense of security.
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Sometimes, I must admit, I’d like to have a second guitarist onstage with me, but it wouldn’t look right. I’d like to play for another 20 years, but I don’t know. I just can’t see it happening. I don’t know why. It’s a certain foreboding. A funny feeling. Vultures.
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I’m still terrified of flying. I really have to get drunk to fly. I’ve found that I’ve developed fears I never had before… fears of heights, claustrophobia only in cities, though, never in the country.
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Right from the first time we went to America in 1968, Led Zeppelin was a word-of-mouth thing. You can’t really compare it to how it is today.
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I don’t like to tell people what format they can get things in, or say, “I’m only going to release this on vinyl and nothing else. You have to come to my world.” I don’t like to say that to people either. But, I do think there’s a loss of romance.
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I’m not interested in turning anybody on to anybody that I’m turned on to… if people want to find things, they find them themselves.
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The term “genius” gets used far too loosely in rock & roll.
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I’m not afraid of death. That is the greatest mystery of all. That’ll be it, that one. But it is all a race against time.
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The blues appealed to me, but so did rock. The early rockabilly guitarists like Cliff Gallup and Scotty Moore were just as important to me as the blues guitarists.
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I think it was that we were really seasoned musicians. We had serious roots that spanned different cultures, obviously the blues.
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You can’t overthink the music. Mood and intensity can’t be manufactured. The blues isn’t about structure; it’s what you bring to it. The spontaneity of capturing a specific moment is what drives it.
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My vocation is more in composition really than anything else – building up harmonies using the guitar, orchestrating the guitar like an army, a guitar army.
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I don’t know whether I’ll reach 40. I don’t know whether I’ll reach 35. I can’t be sure about that. I am bloody serious. I am very, very serious. I didn’t think I’d make 30.
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The way I see it, rock & roll is folk music. Street music. It isn’t taught in school. It has to be picked up.
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I’m over 30 now, but I didn’t expect to be here.
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I always felt if we were going in to do an album, there should already be a lot of structure already made up so we could get on with that and see what else happened.
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All my houses are isolated. Many is the time I just stay home alone.
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The element of change has been the thing, really. We put out the first one, then the second… then a third LP totally different from them. It’s the reason we were able to keep it together.
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I always thought the good thing about the guitar was that they didn’t teach it in school.
JIMMY PAGE