Every record is a portrait of the band at that time.
JIMMY PAGEMy vocation is more in composition really than anything else – building up harmonies using the guitar, orchestrating the guitar like an army, a guitar army.
More Jimmy Page Quotes
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I don’t like being stuck in one situation, day to day.
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You can’t just find yourself doing something and not happy doing it.
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Let’s just say I’m like a ship passing through storms, resting in ports now and then until it’s time to continue the journey. I once told a friend, `I’m just looking for an angel with a broken wing – one that couldn’t fly away.’
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The element of change has been the thing, really. We put out the first one, then the second… then a third LP totally different from them. It’s the reason we were able to keep it together.
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Music is the one thing that has been consistently there for me. It hasn’t let me down.
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My guitar style was developed during that 10-year period. That’s me. That’s the way I play, and I don’t wish to play any other way. Our own individual identities are firmly stamped on this album.
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Sometimes, I must admit, I’d like to have a second guitarist onstage with me, but it wouldn’t look right. I’d like to play for another 20 years, but I don’t know. I just can’t see it happening. I don’t know why. It’s a certain foreboding. A funny feeling. Vultures.
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I deal in emotions. It’s the harmonic side that’s important. That’s the side I expected to be much further along on than I am now. That just means to say that I’ve got to keep at it.
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Live Aid did feel like one hour’s rehearsal after several years, but to be part of Live Aid was wonderful. It reall was.
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I’m at my best when I’m exhausted and under pressure.
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I’m over 30 now, but I didn’t expect to be here.
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I really don’t like showing people how I play things; it’s a little embarrassing because it always looks so simple to me.
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There’s too many good musicians around for the music around for the business to be sagging.
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I’m not afraid of death. That is the greatest mystery of all. That’ll be it, that one. But it is all a race against time.
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The idea of a hypnotic riff as the prime mover of a piece of music has been around for a long time, whether you’re talking about the Delta blues or music from Middle Eastern and African cultures.
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I don’t know whether I’ll reach 40. I don’t know whether I’ll reach 35. I can’t be sure about that. I am bloody serious. I am very, very serious. I didn’t think I’d make 30.
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Almost the moment he died, they put him in Playboy as one of the greatest drummers, which he was – there’s no doubt about it. There’s never been anybody since. He’s one of the greatest drummers that ever lived.
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I’m not a guitarist as far as a technician goes, I just pick it up and play it. Technique doesn’t come into it.
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I bet you can’t play slide piano.
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I’m just looking for an angel with a broken wing.
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I don’t deal in technique. I deal in emotions.
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This week, I’m a gypsy. Maybe next week it’ll be glitter rock.
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I think it’s time to travel, start gathering some real right-in-there experiences with street musicians around the world.
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If you are on to something creative, school can also inhibit you. The wrong teacher, man, can really mess you up.
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You can’t overthink the music. Mood and intensity can’t be manufactured. The blues isn’t about structure; it’s what you bring to it. The spontaneity of capturing a specific moment is what drives it.
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So many people are frightened to take a chance in life and there’s so many chances you have to take.
JIMMY PAGE