“I really just wanted to make something special for women. There aren’t enough records uplifting them out there.”

If it feels good coming out, then I really don’t care about anything else, for real. It’s all about just having fun with it. If it feels like less work, then the project is coming out better.

If I feel like making something, if I feel like saying something on the track, that’s what I am going to do – regardless of reaction.

I used to think that there was a certain way I had to stick to when it came to R&B, but now I’m saying whatever, the same way these rappers do. I’m bringing that into R&B music.

I don’t really feel the loyalty to any particular genre. To be completely honest, I’m an R&B singer because I’m black and I sing.

I work while I’m on the move, so I’m able to book sessions in different cities.

If you can look in the mirror and say I love myself, that’s going to affect your interactions with people who look like you.

I’ve always felt like I was observing everything, like I’m just looking out of the window, peeping how everybody is living and just penning about it, so I made the album about that concept.

I think it’s good that YouTube decided that they really want to showcase Black talent.

An outside party don’t ever stay outside.

If you tell somebody that you make music they’re all interested. But when you say you rap, they just start rolling their eyes at you. It would’ve taken me a lot longer to get my foot in the door if I’d continued rapping all the way.

I know when it comes to the actual narrative of my solo music, it’s its own thing. That’s why I went out of my way after ‘Crew’ to not do a bunch of collaborations.

I feel you gotta be nervous. If you’re nervous, it’s just ’cause you want to do well, it’s not ’cause you’re scared.

I’ll listen to certain things that I made back then, and I’m like, ‘I wish I could have done this, I would’ve done that’. When you start out making music, you just want to make something that people will like.

Being old didn’t seem like an accomplishment. Everyone I knew who was old was like sick or broke. It just didn’t look appealing until I moved to L.A. and started interacting with people who were 50+ and still kicking it, having money, living large.

I started off making beats when I was like 12. Then when I linked with people who make beats full time, I was like, ‘Bet, now I can focus on writing and singing.’

I was reading Neil Postman’s ‘Amusing Ourselves to Death’. It’s one of my favourites.

My songs always sound a lot better in person than they do on the record.

I’ve never recorded anything I didn’t like.

I’m never tired of going to the studio. I enjoy recording and documenting everything and trying new things.

An experiment is a question which science poses to Nature and a measurement is the recording of Nature’s answer.

I remember singing around the house to records that were playing. All kinds of music. And the great James Cleveland was often in our house, and I grew up with his sound as well.

A knowledge of the true age of the Earth and of the fossil record makes it impossible for any balanced intellect to believe in the literal truth of every part of the Bible in the way that fundamentalists do.

I pause to record that I feel in extraordinary form. Delirium perhaps.

What goes around may come around, but it never ends up exactly the same place, you ever notice? Like a record on a turntable, all it takes is one groove’s difference and the universe can be on into a whole ‘nother song.