Music is my one opportunity to let out how I’m feeling when I’m not talking to a chick or my mom, you know what I mean? It’s just venting.
BRENT FAIYAZAn outside party don’t ever stay outside.
More Brent Faiyaz Quotes
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Being old didn’t seem like an accomplishment. Everyone I knew who was old was like sick or broke. It just didn’t look appealing until I moved to L.A. and started interacting with people who were 50+ and still kicking it, having money, living large.
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I still got bars, I just use ’em differently. I’d say I’m a better singer than I am a rapper at this point because I’ve been sharpening my sword.
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If you’re my woman, you’re somebody I give emotions to that I don’t give to nobody else. You’re my safe space. I don’t want my safe space to be compromised.
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If I’m being honest, I was messing up on every other level in my life growing up – whether it was in school or in my jobs. I was always distracted by my love for music.
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When you’re initially making music, you’re kind of just shooting at the air.
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If it feels good coming out, then I really don’t care about anything else, for real. It’s all about just having fun with it. If it feels like less work, then the project is coming out better.
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Rapping was kind of hard. It’s so many words. When you sing you can kind of stretch the words out. I didn’t have to write as much as everybody else.
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I work while I’m on the move, so I’m able to book sessions in different cities.
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I really just wanted to make something special for women. There aren’t enough records uplifting them out there.
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I’d prefer for people to know that they’re going to get some substance when they listen to my music versus hearing the same ‘Oooh baby, I love you.’
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People will listen to a song and expect that you just have that persona on all the time. But really, that was your one outlet that one day to get that emotion out. The only difference was you put it on a canvas that’s going to be there forever.
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I probably talk to myself more than I talk to anyone.
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I don’t wake up thinking about the genre of R&B as a whole. I just make music.
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I want to put my soul into the music and still be who I am when it comes to an actual conversation.
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I got a toy keyboard when I was around like five or six.
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I know when it comes to the actual narrative of my solo music, it’s its own thing. That’s why I went out of my way after ‘Crew’ to not do a bunch of collaborations.
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I recorded everywhere. I would go to different cities and do a session there for the project. I did sessions in New York and I did sessions in L.A. It was just kind of wherever I was and I felt like cutting a track.
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If I feel like making something, if I feel like saying something on the track, that’s what I am going to do – regardless of reaction.
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I feel like any way you can get the message to resonate, I’m all for it.
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I want to own my masters. That’s the main thing–owning all my music.
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If you can look in the mirror and say I love myself, that’s going to affect your interactions with people who look like you.
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I think it was ‘The Diary of Alicia Keys’. That was the first time album I ever bought with my own money. I had a little Discman.
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In order for people to take what you say seriously, they have to know who you are as a person.
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An outside party don’t ever stay outside.
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I got a dog and am trying to elevate. I’m working out, eating healthier, reading books. Making ‘Make it Out Alive’ is going to be a reflection of all of that.
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My music is often written from the perspective of an extroverted introvert.
BRENT FAIYAZ