I’d prefer for people to know that they’re going to get some substance when they listen to my music versus hearing the same ‘Oooh baby, I love you.’
BRENT FAIYAZI’ll listen to certain things that I made back then, and I’m like, ‘I wish I could have done this, I would’ve done that’. When you start out making music, you just want to make something that people will like.
More Brent Faiyaz Quotes
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The first couple of times I went out and heard my voice or heard people listening when I wasn’t the one playing it for them, it felt good.
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Me and Goldlink have known of each other for a minute and our managers know each other so they set up a studio session. When we got in the studio, we was cool; we’re from the same area so we have a lot in common.
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I got a toy keyboard when I was around like five or six.
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There’s the hype stuff that people love for five minutes and then there’s the stuff that changes cultures and shifts how you look at music. And then there’s that rare point where that hype stuff changes the game.
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We’re products of this world we were born into. We all battle our own demons. Everyone is troubled in the dark, but, please just stop & think about the babies. They’re gonna be here long after we leave.
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I think if you’re an interesting person, you don’t have to cloud yourself in mystery for people to want to know more about you.
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Don’t stop until you get where you’re trying to go.
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I started off making beats when I was like 12. Then when I linked with people who make beats full time, I was like, ‘Bet, now I can focus on writing and singing.’
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My music is often written from the perspective of an extroverted introvert.
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In order for people to take what you say seriously, they have to know who you are as a person.
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I mean, I wasn’t the best student in school. It would be different if I were to pursue music while I was already in school and doing things for my parents to be proud of and music was a side thing. Being that I dropped everything to do music, they was not with it.
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Being old didn’t seem like an accomplishment. Everyone I knew who was old was like sick or broke. It just didn’t look appealing until I moved to L.A. and started interacting with people who were 50+ and still kicking it, having money, living large.
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I feel you gotta be nervous. If you’re nervous, it’s just ’cause you want to do well, it’s not ’cause you’re scared.
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An outside party don’t ever stay outside.
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I want to own my masters. That’s the main thing–owning all my music.
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You work on something for so long that you become numb to it. Like, you don’t even know how to listen to it because you listened to it so many times.
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If you tell somebody that you make music they’re all interested. But when you say you rap, they just start rolling their eyes at you. It would’ve taken me a lot longer to get my foot in the door if I’d continued rapping all the way.
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If I’m being honest, I was messing up on every other level in my life growing up – whether it was in school or in my jobs. I was always distracted by my love for music.
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I think it’s good that YouTube decided that they really want to showcase Black talent.
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With the Sonder music, I pull a lot from what’s around me.
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I got a dog and am trying to elevate. I’m working out, eating healthier, reading books. Making ‘Make it Out Alive’ is going to be a reflection of all of that.
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I know when it comes to the actual narrative of my solo music, it’s its own thing. That’s why I went out of my way after ‘Crew’ to not do a bunch of collaborations.
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I want to put my soul into the music and still be who I am when it comes to an actual conversation.
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I don’t wake up thinking about the genre of R&B as a whole. I just make music.
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I’ve always felt like I was observing everything, like I’m just looking out of the window, peeping how everybody is living and just penning about it, so I made the album about that concept.
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When you’re initially making music, you’re kind of just shooting at the air.
BRENT FAIYAZ