I got a dog and am trying to elevate. I’m working out, eating healthier, reading books. Making ‘Make it Out Alive’ is going to be a reflection of all of that.
BRENT FAIYAZI used to think that there was a certain way I had to stick to when it came to R&B, but now I’m saying whatever, the same way these rappers do. I’m bringing that into R&B music.
More Brent Faiyaz Quotes
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Me and Goldlink have known of each other for a minute and our managers know each other so they set up a studio session. When we got in the studio, we was cool; we’re from the same area so we have a lot in common.
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Being old didn’t seem like an accomplishment. Everyone I knew who was old was like sick or broke. It just didn’t look appealing until I moved to L.A. and started interacting with people who were 50+ and still kicking it, having money, living large.
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I work while I’m on the move, so I’m able to book sessions in different cities.
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If you can look in the mirror and say I love myself, that’s going to affect your interactions with people who look like you.
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I don’t really feel the loyalty to any particular genre. To be completely honest, I’m an R&B singer because I’m black and I sing.
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With the Sonder music, I pull a lot from what’s around me.
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I don’t wake up thinking about the genre of R&B as a whole. I just make music.
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If I feel like making something, if I feel like saying something on the track, that’s what I am going to do – regardless of reaction.
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You gotta question the purpose you serve for those who invite themselves into your life. Learn who you are and always question the motive. No one knows you the way you do.
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Don’t stop until you get where you’re trying to go.
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Sonder is the realization that every individual passerby has their own life just as vivid and complex as yours.
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The first couple of times I went out and heard my voice or heard people listening when I wasn’t the one playing it for them, it felt good.
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I really just wanted to make something special for women. There aren’t enough records uplifting them out there.
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I used to think that there was a certain way I had to stick to when it came to R&B, but now I’m saying whatever, the same way these rappers do. I’m bringing that into R&B music.
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There’s the hype stuff that people love for five minutes and then there’s the stuff that changes cultures and shifts how you look at music. And then there’s that rare point where that hype stuff changes the game.
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I recorded everywhere. I would go to different cities and do a session there for the project. I did sessions in New York and I did sessions in L.A. It was just kind of wherever I was and I felt like cutting a track.
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I could always sing just playing around, but I ain’t want to be no singer. I thought that was lame.
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You work on something for so long that you become numb to it. Like, you don’t even know how to listen to it because you listened to it so many times.
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I got a toy keyboard when I was around like five or six.
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Before anything, I wanted to be a rapper. I used to make beats and I would start singing to layer my beats and that’s kind of how I realized I could sing.
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If I’m being honest, I was messing up on every other level in my life growing up – whether it was in school or in my jobs. I was always distracted by my love for music.
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I think if you’re an interesting person, you don’t have to cloud yourself in mystery for people to want to know more about you.
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In order for people to take what you say seriously, they have to know who you are as a person.
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In 2018, nothing is sacred. Everyone is everywhere and knows everybody. I don’t text too personal because somebody might screenshot it and share it.
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If I have a collection of songs for an EP or mixtape, I create the narrative afterwards; but usually with an album, I have a concept and the name first.
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As cliche as it sounds, don’t stop. I feel like so often people will have talent or have potential, and they’ll quit because they don’t get anywhere as soon as they want to.
BRENT FAIYAZ