Music is my one opportunity to let out how I’m feeling when I’m not talking to a chick or my mom, you know what I mean? It’s just venting.
BRENT FAIYAZI feel like any way you can get the message to resonate, I’m all for it.
More Brent Faiyaz Quotes
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I could always sing just playing around, but I ain’t want to be no singer. I thought that was lame.
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Me and Goldlink have known of each other for a minute and our managers know each other so they set up a studio session. When we got in the studio, we was cool; we’re from the same area so we have a lot in common.
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I want to own my masters. That’s the main thing–owning all my music.
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If I’m being honest, I was messing up on every other level in my life growing up – whether it was in school or in my jobs. I was always distracted by my love for music.
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I recorded everywhere. I would go to different cities and do a session there for the project. I did sessions in New York and I did sessions in L.A. It was just kind of wherever I was and I felt like cutting a track.
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Being old didn’t seem like an accomplishment. Everyone I knew who was old was like sick or broke. It just didn’t look appealing until I moved to L.A. and started interacting with people who were 50+ and still kicking it, having money, living large.
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I still got bars, I just use ’em differently. I’d say I’m a better singer than I am a rapper at this point because I’ve been sharpening my sword.
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I got a toy keyboard when I was around like five or six.
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I probably talk to myself more than I talk to anyone.
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An outside party don’t ever stay outside.
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I really just wanted to make something special for women. There aren’t enough records uplifting them out there.
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I’ve always felt like I was observing everything, like I’m just looking out of the window, peeping how everybody is living and just penning about it, so I made the album about that concept.
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If I feel like making something, if I feel like saying something on the track, that’s what I am going to do – regardless of reaction.
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I mean, I wasn’t the best student in school. It would be different if I were to pursue music while I was already in school and doing things for my parents to be proud of and music was a side thing. Being that I dropped everything to do music, they was not with it.
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The first couple of times I went out and heard my voice or heard people listening when I wasn’t the one playing it for them, it felt good.
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I was reading Neil Postman’s ‘Amusing Ourselves to Death’. It’s one of my favourites.
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I think if you’re an interesting person, you don’t have to cloud yourself in mystery for people to want to know more about you.
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I don’t wake up thinking about the genre of R&B as a whole. I just make music.
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You gotta question the purpose you serve for those who invite themselves into your life. Learn who you are and always question the motive. No one knows you the way you do.
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Rapping was kind of hard. It’s so many words. When you sing you can kind of stretch the words out. I didn’t have to write as much as everybody else.
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I think it was ‘The Diary of Alicia Keys’. That was the first time album I ever bought with my own money. I had a little Discman.
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People will listen to a song and expect that you just have that persona on all the time. But really, that was your one outlet that one day to get that emotion out. The only difference was you put it on a canvas that’s going to be there forever.
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I got a dog and am trying to elevate. I’m working out, eating healthier, reading books. Making ‘Make it Out Alive’ is going to be a reflection of all of that.
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As cliche as it sounds, don’t stop. I feel like so often people will have talent or have potential, and they’ll quit because they don’t get anywhere as soon as they want to.
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With the Sonder music, I pull a lot from what’s around me.
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I know when it comes to the actual narrative of my solo music, it’s its own thing. That’s why I went out of my way after ‘Crew’ to not do a bunch of collaborations.
BRENT FAIYAZ