I don’t wake up thinking about the genre of R&B as a whole. I just make music.
BRENT FAIYAZI don’t wake up thinking about the genre of R&B as a whole. I just make music.
More Brent Faiyaz Quotes
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Me and Goldlink have known of each other for a minute and our managers know each other so they set up a studio session. When we got in the studio, we was cool; we’re from the same area so we have a lot in common.
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I mean, I wasn’t the best student in school. It would be different if I were to pursue music while I was already in school and doing things for my parents to be proud of and music was a side thing. Being that I dropped everything to do music, they was not with it.
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An outside party don’t ever stay outside.
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You work on something for so long that you become numb to it. Like, you don’t even know how to listen to it because you listened to it so many times.
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As cliche as it sounds, don’t stop. I feel like so often people will have talent or have potential, and they’ll quit because they don’t get anywhere as soon as they want to.
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Before anything, I wanted to be a rapper. I used to make beats and I would start singing to layer my beats and that’s kind of how I realized I could sing.
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If you’re my woman, you’re somebody I give emotions to that I don’t give to nobody else. You’re my safe space. I don’t want my safe space to be compromised.
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I think it’s good that YouTube decided that they really want to showcase Black talent.
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If it feels good coming out, then I really don’t care about anything else, for real. It’s all about just having fun with it. If it feels like less work, then the project is coming out better.
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If I feel like making something, if I feel like saying something on the track, that’s what I am going to do – regardless of reaction.
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The first couple of times I went out and heard my voice or heard people listening when I wasn’t the one playing it for them, it felt good.
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I think it was ‘The Diary of Alicia Keys’. That was the first time album I ever bought with my own money. I had a little Discman.
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Sonder is the realization that every individual passerby has their own life just as vivid and complex as yours.
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My music is often written from the perspective of an extroverted introvert.
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I’ve always felt like I was observing everything, like I’m just looking out of the window, peeping how everybody is living and just penning about it, so I made the album about that concept.
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I think if you’re an interesting person, you don’t have to cloud yourself in mystery for people to want to know more about you.
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I’d prefer for people to know that they’re going to get some substance when they listen to my music versus hearing the same ‘Oooh baby, I love you.’
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I got a toy keyboard when I was around like five or six.
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People will listen to a song and expect that you just have that persona on all the time. But really, that was your one outlet that one day to get that emotion out. The only difference was you put it on a canvas that’s going to be there forever.
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I started off making beats when I was like 12. Then when I linked with people who make beats full time, I was like, ‘Bet, now I can focus on writing and singing.’
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You gotta question the purpose you serve for those who invite themselves into your life. Learn who you are and always question the motive. No one knows you the way you do.
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I probably talk to myself more than I talk to anyone.
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I recorded everywhere. I would go to different cities and do a session there for the project. I did sessions in New York and I did sessions in L.A. It was just kind of wherever I was and I felt like cutting a track.
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In order for people to take what you say seriously, they have to know who you are as a person.
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I really just wanted to make something special for women. There aren’t enough records uplifting them out there.
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Don’t stop until you get where you’re trying to go.
BRENT FAIYAZ