I work while I’m on the move, so I’m able to book sessions in different cities.
BRENT FAIYAZWhen you’re initially making music, you’re kind of just shooting at the air.
More Brent Faiyaz Quotes
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I probably talk to myself more than I talk to anyone.
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Don’t stop until you get where you’re trying to go.
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Being old didn’t seem like an accomplishment. Everyone I knew who was old was like sick or broke. It just didn’t look appealing until I moved to L.A. and started interacting with people who were 50+ and still kicking it, having money, living large.
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People will listen to a song and expect that you just have that persona on all the time. But really, that was your one outlet that one day to get that emotion out. The only difference was you put it on a canvas that’s going to be there forever.
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I want to put my soul into the music and still be who I am when it comes to an actual conversation.
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I’ll listen to certain things that I made back then, and I’m like, ‘I wish I could have done this, I would’ve done that’. When you start out making music, you just want to make something that people will like.
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I feel like any way you can get the message to resonate, I’m all for it.
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Sonder is the realization that every individual passerby has their own life just as vivid and complex as yours.
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When you’re initially making music, you’re kind of just shooting at the air.
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The first couple of times I went out and heard my voice or heard people listening when I wasn’t the one playing it for them, it felt good.
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If you tell somebody that you make music they’re all interested. But when you say you rap, they just start rolling their eyes at you. It would’ve taken me a lot longer to get my foot in the door if I’d continued rapping all the way.
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As cliche as it sounds, don’t stop. I feel like so often people will have talent or have potential, and they’ll quit because they don’t get anywhere as soon as they want to.
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I was reading Neil Postman’s ‘Amusing Ourselves to Death’. It’s one of my favourites.
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With the Sonder music, I pull a lot from what’s around me.
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I think if you’re an interesting person, you don’t have to cloud yourself in mystery for people to want to know more about you.
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I want to own my masters. That’s the main thing–owning all my music.
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Me and Goldlink have known of each other for a minute and our managers know each other so they set up a studio session. When we got in the studio, we was cool; we’re from the same area so we have a lot in common.
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If I have a collection of songs for an EP or mixtape, I create the narrative afterwards; but usually with an album, I have a concept and the name first.
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I feel you gotta be nervous. If you’re nervous, it’s just ’cause you want to do well, it’s not ’cause you’re scared.
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I started off making beats when I was like 12. Then when I linked with people who make beats full time, I was like, ‘Bet, now I can focus on writing and singing.’
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Rapping was kind of hard. It’s so many words. When you sing you can kind of stretch the words out. I didn’t have to write as much as everybody else.
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You work on something for so long that you become numb to it. Like, you don’t even know how to listen to it because you listened to it so many times.
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I could always sing just playing around, but I ain’t want to be no singer. I thought that was lame.
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There’s the hype stuff that people love for five minutes and then there’s the stuff that changes cultures and shifts how you look at music. And then there’s that rare point where that hype stuff changes the game.
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Before anything, I wanted to be a rapper. I used to make beats and I would start singing to layer my beats and that’s kind of how I realized I could sing.
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I got a dog and am trying to elevate. I’m working out, eating healthier, reading books. Making ‘Make it Out Alive’ is going to be a reflection of all of that.
BRENT FAIYAZ